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Identifying the true nature of things, and capturing their horror or charm? Let’s give it a crack. I recognised and recognise still that there are few humans who will ever approach Les Murray's heights of linguistic mastery and vision of life. But one thing I felt I had in common with Les, apart from our shared rustic heritage, was anger.
People ask why it took the death of George Floyd to make so many Australians stand up. His experience mirrored that of so many Aboriginal people who have died while in custody. His dying words ‘I can’t breathe’ echo through our hearts, because this isn’t the first time a Bla(c)k man has uttered those words while being brutally arrested for a crime most white people would get a slap on the wrist for.
The larger questions posed by the destruction of the statues, and indeed of reputations, that they symbolise, concern how to handle complexity.
At the fringes of the legal system, there are areas of work you probably won’t read about in law school career guides. Many of these deal in trauma or poverty. They are substantial, but they aren’t celebrated or pursued by the mainstream of the profession. They generally attract neither money nor prestige, and in many cases the ‘market’ fails to provide paid jobs of any sort, irrespective of need.
I keep going back to a short story, by Carmen Maria Machado in her book Her Body and Other Parties, called ‘Inventory’. In its simplest terms, the story is a narrator’s list of her lovers loved: boyfriends, girlfriends, neighbours, strangers. From this inventory emerges, bit by bit, the story that has made the list necessary: an epidemic is ravaging the world’s population.
The opacity of the Australian public service, and its disposition to secrecy, has left journalists in a bind. Leaks constitute the oxygen of the secret state, but publishing that material remains a dangerous affair.
One of the challenges posed by social distancing is how to reconcile personal presence with distance. Presence is tactile and up close. Measuring out the prescribed separation as people walk around the park in the early morning tends to turn familiars into strangers and greetings into distancings.
I've been watching Stateless, the ABC drama about Australia’s immigration detention system, with some reluctance. Not because it is poor, but because it is so powerful.
I circle the huge granite standing stone sunwise three times, as my ancestors did long before the designs of cranes and coins, of theory. ‘Tell me how and what they thought.’ No answer but the wheeling murmuration of a thousand starlings. A stubble field.
In the midst of bushfire relief events and community raffles, concerns about how those in need can be best supported continue as emotions run high. While the nation grieves the loss of life and land, we need to begin the conversation of how we can respond mindfully to disaster and find sustainable solutions for disasters to come.
More than three billion single trips are taken during the extended period of travel. It is to China's great credit that these journeys occur incredibly smoothly, and on the whole with a convivial spirit. There is too often a tendency to minimise any praise about China's achievements, to the anger of Chinese citizens at home and abroad.
This New Year saw me becoming a Twitter tragic so that I could keep up with the news of disastrous fires in Australia, and fires of a different sort in the Middle East. It all seemed too much. On the day after Epiphany, a major feast day in the Orthodox Church, I found myself outside Kalamata's Church of the Archangels, and went in to light a candle.
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