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St Benedict of Nursia knew about living in a dying world. He was born 25 years after the Vandals sacked Rome and died months after the Ostrogoths had their turn. He watched as old certainties went up in flame. As existing institutions were hollowed out or winnowed completely, Benedict started a revolution. Wednesday 12 September
One man suffers the shame of sex addiction. For another, a quadriplegic, sex is a matter of dignity. Two couples meet for a civilised discussion about their children's behaviour, but civility collapses. An antihero embraces violence as a solution to exploitative American media. Eureka Street counts down its essential films of 2012.
I saw the toy shop out of the corner of my eye and glazed over rows of plastic toys behind the window display. They looked cheap, mass-produced and sad, seemingly anticipating a more vibrant future than gathering dust. One item practically screamed at me and stopped me in my tracks.
When I'm scrabbling around wiping up cereal under the baby's highchair and she's twisting her milky fingers into my hair, what good is it to recall that it is due to the privileging of men's professional work and their superior earning power that it is me, not my husband, who is being subjected to this assault?
A grief-stricken Amish man stalks and psychologically tortures the man who murdered his daughter. A Vietnamese veteran seeks vengeance on the American soldiers who slaughtered his fellow villagers. But for one alcoholic writer, the idea of absolving violence through violence jars with his pacifistic leanings.
St Benedict of Nursia knew about living in a dying world. He was born 25 years after the Vandals sacked Rome and died months after the Ostrogoths had their turn. He watched as old certainties went up in flame. As existing institutions were hollowed out or winnowed completely, Benedict started a revolution.
One moment he is an elderly beggar woman, so stooped that all 'she' sees is stones and feet. Next he is a monstrous vagrant, who crawls out of a sewer and terrorises passers-by with hilarious ferocity. He integrates seamlessly with his environments, and others interact with him as if this — this — is his true face.
Dark shadow, I don't love you anymore. (You're deadly, the sea of Ezekiel; the flame forever roiling the bush ...) I don't think I ever did.
Like a uniformed and undirected army, they queued end to end, an implacable wall of yellow and green. The trams seemed to squat somehow lower on their shiny rails — and all their lights went out. For more than a month they paralysed the city and everyone could see the government had entered its last days.
Hughes was part of that movement of Australian artists and intellectuals — Germaine Greer and Clive James among them — who fled to Europe in the 1960s. Yet he was unable to escape the antipodean orbit he found arid and constricting. Australian reference points followed his pen with nagging persistence, a permanent shadowing.
Eric Packer is 'the one per cent', who stoically discusses economics with his chief advisor even as an anti-capitalist protest broils outside his limousine; Occupy reimagined as animal anarchy, with protestors yielding spray-paint and dead rats; 'the 99 per cent' of the besieged city raging to reassert their worth.
I once received a postcard from White and his partner Manoly Lascaris. It responded to a note I had sent to White telling him we had named our new baby son Patrick Manoly. Our son is now a young man who occasionally wonders if he is the only bloke in Australia to be named after a gay couple.
169-180 out of 200 results.