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While we can only speculate on what it means for the future of funding beyond the current budget, alarm bells are ringing for many of us who recognise the symbolic power of rendering the arts invisible at a federal level. A strong, vibrant arts sector is essential to a thriving democracy.
A recent report on the lack of culturally and linguistically diverse (CALD) representation in arts leadership recognises the limitations of the label. In an era marked by media bubbles, it is more vital than ever that we use categories such as CALD to build bridges, while not losing sight of our differences and varying levels of disadvantage.
At stake here is who takes responsibility for sector development in the arts as both a cultural and an economic good. Because right now, there is no national organisation or government agency whose role it is to take a responsible, long-term, national view, making sure there are programs in place to address key priorities.
The South Australian Museum is rectifying slivers of colonial damage by repatriating the remains of over 4000 Aboriginal people to their communities. This will be welcome news for Aboriginal communities, but also a reminder of the need to lobby against policies that deprive them of the right to a dignified connection with their ancestors.
The exhibition stands as a celebration of the work of Xiao Lu and her contemporaries, who continue to clothe their lived experiences in images, acts and utterances, and in so doing communicate with others about the state of their lives as women and artists, their society and their nation.
Birmingham's intervention, and Tehan's consolidation of that ill-exercised discretion, suggests Australian Research Council funding will be politicised by executive veto. Expertise will be subordinated to the whimsy of the education minister of the day; researchers will be pondering how to shape their applications accordingly.
Are we clever enough in Australia to reduce the inequity in our schooling in order to help our moderate voters develop a strong narrative of sensible sharing to shape our future? Or, will the inequities in our schools contribute to ever-deepening divisions?
Catholics gathered in the wake of a time of great hardship, and in Christ's name sought the common good. Aware of continuity with the Apostles, the bishops recognised that the church changed through history. It was both progressive and conservative in parts, but not regressive.
'Kristina Keneally was unapologetic in putting the place of women in our church front and centre. And so we should.' Tropical and Topical, 2018 National Catholic Principals' Conference, Cairns Convention Centre, 16 July 2018.
Is it any wonder that when I came to work in the press gallery I was cynical about arts policy? In those lockup hours scouring budget papers it was clear yet again the arts would not see any wins. It wasn't always this way. Prime ministers and arts ministers of yesteryear produced arts policy informed by their personal and political interest.
Does watching this ridiculously premised film full of obnoxious characters, complete with smatterings of Singlish, make me feel culturally represented? Yes. There are threads of cultural recognition in the Southeast Asian locations and the Chinese customs that resonate, as well as the cultural mobility of various characters.
Our Church is presently a strained, outdated social institution with an exclusively male hierarchy and clergy. But it is also the privileged locus for us to be called to the banquet of the Lord sharing theology and sacrament which have sustained the hearts and minds of similar pilgrims for two millennia. Thank God for Pope Francis who is showing us the way, helping us to find meaning in our changing and chaotic world, putting a fresh spring in the step of all those Catholics holding in tension the prophetic and the practical, the theological and the humanist, the tradition and the contemporary reality.
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