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Along the tree lined rural highway / past paddocks where canola gleams / so cars stop for golden photographs / past paddocks where sheep graze / then clumps of darker remnant eucalypts / distant hills wear dancing patches of colour.
When Kenneth Hugh Gittins is in the room and crash-tackling the conversation, well, eat your heart out Salvador Dali and Walter Mitty. Conversations turn surreal, fact-checking expeditions run aground. A charming teller of truths and tales (some tallish and some Himalayan), this rustic raconteur has perplexed many an audience or congregation and delighted many a grandkid and great-grandkid with his reminiscences.
Change of season is upon us, / hot unseasonal days have drained us, / human sponges squeezed by the hands / of humidity, but the nights are becomingcool, a relief for bodies and minds in need / of withdrawal and replenishment of deep sleep, but in all of this there is some wakefulness, and there are some choristers returned, in these dogwatch hours.
We celebrate wordsmiths, minor and major, whose gift it is to write the world for us / To create the nourishing broth, the alphabet soup, of words to work their magic / Words that exhort and advocate / That calm and soothe / Words on which to float away / Words for strength on another day.
In most circles poetry doesn’t matter. It doesn’t put bread on the table, nor raise people to revolt nor even make news unless a grizzled footballer is outed for secretly writing poems. Even in churches poems and hymns are altered to improve their orthodoxy in matters of faith, gender, race or modernity, but rarely their poetic quality.
We need to be able to do more than simply give notional assent to the Uluru Statement. We need to be able to contribute to the hard thinking and difficult discussions to be had if the overwhelming majority of our fellow Australians are to be convinced of the need for a Voice in the Constitution.
The danger is that unless commissions and inquiries are accompanied by other ways of telling other truths they will inadvertently help to shrink that national story into the story of victims who in fact have never been only victims, and of unmentioned perpetrators who in fact have never been only perpetrators. They risk preaching to a more-or-less converted majority and to an implacably unconverted minority.
A house bursts into flames as it’s submerged in floodwaters. A doctor tells a cameraman filming a dying Ukrainian child to send the footage to Putin. A newspaper delves into the murder of a young woman. It’s like a fever dream: a pandemic bleeds into the edges of a global war. The news presents information, and it has no moral duty to tell us how we should feel about it or help us untangle the knot of feelings which emerge.
I was invited to read the poetry at Eureka Street by Morag Fraser, sometime in the mists. She shouted me coffee at the Chinese place across Victoria Street from the magazine’s Richmond offices. That was nearly twenty years ago. As we crunched on fortune cookies, she popped the question. I’ve been editing poetry at Eureka Street ever since and have only chosen to let go of the job this summer.
I’m not sure that my Greek grandchildren know the word antediluvian or whether they have heard of Methuselah, but they certainly consider me an ancient relic who occasionally tells tall tales and true from the legendary past, and from another land. Of course they are unable to conceive of life or domestic space without screens: even my youngest grandchild, who has just had her first birthday, knows when a Skype call is imminent, and coos accordingly.
I own my proclivities and short comings / I own the transgressions of those which have inflicted wounds some unhealed / I own the sublime moments of subjective joy / I own little but I am rich in compassion / I own not the land it owns me
The neighbour says, So sorry. And sir, / you are the last paesano on this street. / Maria you promised me. I could go first. / Ti perdono, I forgive you, amore mio. / I sit in our backyard under lemon shade, amongst / the hens tomato plants and capsicums. I fall into each / wishful memory. We danced, those ad-hoc strolls / and laughter, you hummed our favourite songs.
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