Keywords: Career
There are more than 200 results, only the first 200 are displayed here.
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INTERNATIONAL
- Fatima Measham
- 08 June 2016
7 Comments
The contest over Ali began even as news spread of his passing. His legend straddles the violence of his sport and the violence in which he refused to participate. Boxing is brutal but it has rules and finite duration. In war, there are no rules and no one wins. Ali recognised a larger violence, chose his enemies, and reimagined bravery. Attempts to sublimate this legacy - such as comments about him 'transcending' race - resemble the appropriation of Martin Luther King Jr by conservatives.
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AUSTRALIA
- Andrew Hamilton
- 02 June 2016
8 Comments
David Marr describes Shorten at work in the claustrophobic world of the Labor factions and the unions where great haters abound. Annabel Crabb has a lighter touch, describing the career of Turnbull, with all its energy, intellectual and tactical brilliance, and victories with obvious enjoyment and in sunlit prose. The accounts raise two questions: Do the qualities of leaders matter much? And what insight do the leaders' stories provide into the likely achievements of the government they would lead?
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ARTS AND CULTURE
O, I had a sweetheart, sure I did, says a tiny stooped nun to me this morning. Long tall handsome man he was too. Did you think I signed up to be a nun before I could fall In love? No. I never met a nun yet wasn't in love before. It's good for you as a nun to have had your heart broken, seems to me, or to break someone else's heart. It's a way of the world. Better to know it so you can be tender when you see it later.
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MEDIA
- Garry Westmore
- 02 May 2016
4 Comments
Arguably, as a society, Australia's tolerance for violence is waning, and both the AFL and the NRL have been proactive in diminishing the prevalence of deliberate and reckless violence that might endanger players' safety. Unfortunately, despite the AFL's desire to stamp out the more dangerous incidents, many televised football commentators are hindering the cause by making excuses for players, playing down the severity of their actions, and failing to condemn them.
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ARTS AND CULTURE
- Tim Kroenert
- 21 April 2016
3 Comments
Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.
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ARTS AND CULTURE
- Tim Kroenert
- 14 April 2016
1 Comment
The show's implicit subversiveness runs deep. It is embodied in the fact that its cast consists of mostly Black and Latino performers portraying White characters, using a vernacular and musical styles popularly associated with these cultural groups. It thus stands as a riposte to the history of black/brownface and whitewashing in popular entertainment. Crucially, in a show about 'founding fathers', it is the story's women who not only provide its emotional core but are also the most fundamentally heroic.
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AUSTRALIA
- Brian Matthews
- 23 March 2016
10 Comments
I was out on our quiet country road the next morning at first light intent on running just half a mile. Some days later, when I had recovered and various outraged muscles had stopped twanging, I determined to carry on. In those days, running was regarded as eccentric, even sinister. 'Why do you do it?' the 'milky' asked. 'Are you a footy umpire or somethin'?' Then there was the elderly bloke who, driving past in his ute, stared back at me for so long to demonstrate his scorn that he drove off the road.
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ARTS AND CULTURE
- Tim Kroenert
- 10 March 2016
6 Comments
When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.
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MEDIA
- Erin Riley
- 29 February 2016
16 Comments
Sports journalists shape narratives. There is drama intrinsic to sport, but the sports journalist draws it out, identifying heroes and villains, and slotting each performance into a broader arc. The power to influence the way the public understands a game or player ought to be wielded carefully. Too often, it is not. This is best demonstrated by the ways in which commentators and journalists speak about Indigenous athletes. A simple superlative can be loaded with more than a century of cultural baggage.
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AUSTRALIA
- Fatima Measham
- 22 January 2016
18 Comments
Last November I was on a panel at the National Ethnic and Multicultural Broadcasters Council conference, musing about postmodern identities, whether 'ethnics' were mainstream and not peripheral, and whether 'Aussie values' are in fact universal. I enjoyed the discussion, but part of me felt worn. It seemed to me that black and brown folks like us are less concerned about what it means to be Australian than how Australian we would have to be, to be as Australian as everyone else.
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AUSTRALIA
- Lyn Bender
- 18 January 2016
18 Comments
In the early hours of a brand new year, two small boys had their lives extinguished by a purportedly depressed father. For me this event brought to mind two cases from a past life, when I was the manager of Melbourne Lifeline. One was a woman who disclosed that she had killed her two small children a decade earlier. In a second case, a belligerent suicidal man expressed rage towards his former partner, who was about to remarry. I asked pertinent questions. Would he harm his children? 'Yes.'
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MEDIA
- Rochelle Siemienowicz
- 13 January 2016
The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.
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