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For comfortable communitarians among us it is tempting to lament the loss of the solidarity displayed in the first response to coronavirus. That would be a mistake. Solidarity is not a mood to be looked back on with nostalgia, but a commitment to be built and defended.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
The internet and the online spaces are indeed becoming our lifeline for expression and assembly. This lifeline is under threat and deserves much more protection than it currently has under international law. We now have an immediate opportunity to remedy that.
Even during this period of disruption (and, indeed, even because of it) it is so important that we pay attention to the bigger picture. So much of what we do now will lay the groundwork for the kind of future that we are able to build at end of this crisis.
COVID-19 brings many tests. Amid the health, economic and financial crises brought about by the pandemic, our greatest test is to conduct ourselves as a robust democracy and to demonstrate that we are a fair society. Neither test will be easy to pass, but we must aim to emerge at the other end as a better society.
Unfortunately, when it comes to limiting our emissions there’s no silver bullet, and there’s unlikely to be one before we hit an increase of 1.5 degrees. However, scientists do say that we already have all the technology we need to get to net-zero. What we don’t have is the political willpower.
Since late 2019, both President Xi Jinping and Prime Minister Scott Morrison have come under fire for their shortcomings in times of national crisis. China as a hotspot of COVID-19 and Australia with the quartet of severe climate change, a lengthy drought, an horrific fire season and the inevitability of the coronavirus crashing onto our shores.
I still mainly look back. The bushfire legacy lives on. It acts as a benchmark for assessing tragedy and hope. I cannot get the searing images out of my head of red, angry skies, of flames raging frighteningly, embers flying, and firefighters miraculously persevering against the odds.
This behaviour did not come out of nowhere. It has been carefully cultivated through over 40 years of neoliberal economic policies that have made it blatantly clear to people that they are on their own and will absolutely be left to fall if they don’t scramble their way to the top of the heap — supported, if necessary, by their own accumulated rolls of toilet paper.
This communal outpouring during the bushfires has an opportunity to perpetuate itself indefinitely, even though the embers have been extinguished and those not directly affected by the fires have gotten on with their workaday lives. For even as the fires burned, Tourism Australia was mounting a campaign to encourage Australians to holiday locally instead of taking their patronage abroad, and to persuade international tourists to visit, too.
I’d never heard of McKenzie Funk until I came across his marvellous review essay, 'Smoked Out'. I eagerly read on beyond the genial opening paragraphs and almost immediately, I found myself on familiar, if deadly, ground.
A shift is afoot in the west's financial markets that represents the most important economic change since the emergence of the new financial instruments in the 1990s that ultimately led to the global financial crisis. It is likely to result in a new way of thinking about money, which will change the substructure of developed economies.
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