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he was diverted.. from the impending roast.. and wiping red wine.. from his generous lips.. he mouthed sweet nothings.. in retaliation.
We are part of a crowd walking slowly down to the river bank to watch the fireworks. People smile at me, because I am not one of them. I can appreciate this part of their culture, even though I am a foreigner.
A poem recollecting visits to the Jesuit-run Belvedere College, in the north of Dublin, where James Joyce had most of his secondary schooling.
Multi-story films have a special power. They examine the lives of seemingly unrelated people whose fates become potently, albeit incidentally, connected. But sometimes a set of strong short films does not add up to a powerful feature.
Has Michel Houellebecq earned the criticism that has come his way?
Some images are good enough to eat
What is it about some aspects of our viewing culture that gets me so pen-snappingly cross? Perhaps I should start at the beginning, with a small Spot Quiz, folks.
In X-Men: The Last Stand, there is no build-up of tension, long-serving characters are treated with contempt, and the climax is a cacophony of special effects with actors serving only as props.
The lives of Ned Kelly and Oscar Wilde bear uncanny symmetries.
Both the Dresden firestorm and the Holocaust were products of the insidious tendency in wartime for the previously unthinkable to become routine.
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