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Despite moments of crass humour, This Is 40 is centrally moral, even conservative in its elevation of 'heteronormative' family unity. It stands as a nuanced riposte to the simplistic assessment made by one character that Debbie and Pete 'aren't right for each other'. Marriages are complex, and even troubled ones may not be easily dismissed.
One man suffers the shame of sex addiction. For another, a quadriplegic, sex is a matter of dignity. Two couples meet for a civilised discussion about their children's behaviour, but civility collapses. An antihero embraces violence as a solution to exploitative American media. Eureka Street counts down its essential films of 2012.
Browsing the highlights and lowlights of the year, media treatment of vulnerable people has been a constant. The regrettable circumstances surrounding the suicide of nurse Jacintha Saldanha come to mind, but there are surprising moments when journalists have distinguished themselves with investigative reporting for the common good.
The anti-American rhetoric is direct and effective, the phrase AMERICAN WAR OF AGGRESSION a recurring, pulsating slur. Yet who would deny it, faced with this photographic account of Vietnamese suffering? There are at least two versions of any war, and this is theirs. But there are others.
US comedian Daniel Tosh sparked a furore with his now notorious rape joke. Many women have at least one story about being inappropriately and non-consensually touched — it first happened to me when I was 13. While jokes like Tosh's perpetuate such a culture, other comedians' 'rape jokes' seek to enlighten as well as entertain.
Young playboy Jonah learns he has testicular cancer and will be infertile within a matter of weeks. His only shot at biological fatherhood is to get a woman pregnant, soon. Initially there is a glib desperation to this veritably existential quest. But Jonah soon appreciates that parenthood is not something to be entered into lightly.
Many Fairfax readers will miss the familiarity and romance of print. But more disturbing is the likelihood that the dignified authority of the Sydney Morning Herald and The Age mastheads will be lost when the more ephemeral, entertainment-oriented electronic edition is all we have.
Meetings between holiness and politics are inherently dramatic. Think of Jesus' trial, of A'Beckett's murder, of Luther at Worms, of Romero's last sermon. These were tragedies. In Fr Pierre Ceyrac, a French Jesuit priest who died last week, politics and holiness met dramatically, but as comedy.
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