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I spent the first six or seven years of my life spellbound by my mum’s stories of her childhood in Far North Queensland. Herstory came from warm, outback and subtropical places. She and her sisters wrote on slates at school, played in custard apple trees, kept their own bees.
Nothing in the world is single, as Shelley said, and we have proof of this in the general reaction to COVID-19. That spirit, however, seems to have its limitations. For some politicians are set on dividing people, rather than on uniting them.
But just as the frighteningly precarious nature of our lives has been thoroughly exposed, so too has the inequality of it all. Even in a pandemic, we aren't all suffering equally. Even in a pandemic, structures of privilege continue to operate.
We have always lived thus, in our heads. Bone domes, impenetrable to others, we might project animus, animation, add to Duncan’s questioning. The mind’s construction in the face, enigmatic, Rubik cube with sixteen squares on each face, so any signs I give are laced, graced with ambiguity.
In the week following my mother’s funeral I wake up knowing I need to begin cooking again. I need to enter the world beyond my door. It takes me until lunchtime to coax myself out from under the doona. I will walk up to the local shops for bread and vegetables.
The Vietnam Moratorium in Melbourne was one of the most momentous events to occur in Australia in the post world war two era. It led to a seismic shift not only in Australia politics but also within society. The moratorium, held fifty years ago today, was a historic achievement in how it united diverse groups behind the goal of ending Australia’s role in the Vietnam war.
Another biblical motif or metaphor may prove more fruitful in the long run: the apocalypse. No, not the end of the world, however appropriate this may feel. It’s the apocalypse but not as we know it.
I have been with friends and lovers and have seen them in difficult times, emotionally and physically. The same way people have seen me in distress, seen me cry. But I never saw my dad in tears; not as a kid growing up, nor much later as a young adult.
What turned out to be extraordinary was the familiarity of the subject matter, and the routines that Camus makes the authorities of the plague-ridden Algerian town Oran put in place: the quarantine, the isolation hospitals, the attempts to develop a vaccine, the volunteer health workers, and the way in which funerals were conducted in haste.
This year the celebration of Anzac Day will be muted. No marches, no large reunions, few speeches at war memorials. The soldiers and others who lost their lives in war will be remembered, however, as they should be. Indeed, the celebration will perhaps speak more eloquently because of its simplicity.
At the brink of dawn swelling with the cries of the pinkest of pink galahs, the sweltering Tennant Creek, thirsty with soul, stranded in the heart of the heart of the country.
This huge, rarely mentioned and ongoing deeply shameful situation regarding the health and housing of First Nations people comes into unbearably sharp relief by the present crisis.
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