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Keywords: Fiction

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    Space race saga's Black history through White eyes

    • Tim Kroenert
    • 14 February 2017
    1 Comment

    There's a gag about sitting in the back of the bus, the realities of segregation dismissed with a giggle; references to university sit-ins and firebombings come via the eyes of a cartoonishly earnest character. Meanwhile the White characters are either the object of contrived sympathy, or too thinly drawn to invoke genuine menace. Accusations of 'cultural appropriation' might be uncharitable, but the short shrift given to the real, continuing hardships of Black experience raises questions about objectives and authenticity.

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  • ARTS AND CULTURE

    Washed in Thomas Becket's blood

    • Earl Livings
    • 06 February 2017
    4 Comments

    Narrow, pointed arch entrance, low vaulted ceiling, stone and wood panelling - here four murderers walked over 800 years ago to rid their king of a meddlesome priest. Amidst singing and candlelight at Vespers, Thomas Becket stood at the Cathedral altar, knowing the armoured knights were coming: 'Here I am, not a traitor of the King, but a priest. Why do you seek me?' After their clamouring and brandishing of hatchets and axe, he knew his fate, bent his head in submission.

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  • ARTS AND CULTURE

    GOMA's summer of frivolous art

    • Sarah Klenbort
    • 13 December 2016
    5 Comments

    I will always remember the first time I saw Giacommeti's statues in in Europe. They were grotesquely thin, elongated people. Giacometti explained how he tried to make people with more flesh, but after World War II and the six million, it was impossible. And so those statues reflect the time he lived in. Queensland's Gallery of Modern Art, on the other hand, is celebrating its tenth anniversary, and has chosen fairy floss and rainbow fuzz to reflect our current society.

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  • AUSTRALIA

    How class shapes art in 21st century Australia

    • Ellena Savage
    • 09 December 2016
    4 Comments

    To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.

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  • ARTS AND CULTURE

    Learning self-respect in newborn baby hell

    • Suvi Mahonen
    • 01 December 2016
    2 Comments

    From the moment my newborn daughter woke me, my day became a litany of bodily requirements. Pee, drink, change nappy, feed, burp, feed, drink, soothe, pump breasts, change nappy, feed, burp, feed, soothe, eat, drink, soothe. As for healthy living? Forget it. I sucked on spoonfuls of peanut butter and ate family-sized blocks of chocolate. And if I was lucky enough to snatch a yoga stretch in between bouts of colic, it was to the tinkling melodies of her play gym rather than Sanskrit mantras.

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  • MEDIA

    Queering the airwaves for TV diversity

    • Adolfo Aranjuez
    • 29 November 2016
    17 Comments

    A recent Screen Australia report determined only 5 per cent of characters in Australian TV dramas could be identified as LGBTQI; less than half the proportion of real-world queer individuals in Australia. Media products are inherently normative, legitimising identities and lived realities through visibility. This is important, given the continuing debates surrounding marriage equality and the pervasiveness of homophobia, the result of which was seen in the suicide of 13-year-old Tyrone Unsworth.

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  • AUSTRALIA

    Question your motives when appropriating minority voices

    • Neve Mahoney
    • 25 November 2016
    9 Comments

    In a utopian world, free of racism and bigotry, there would be no problem with writers having complete artistic freedom. It becomes a problem when, for example, a white author takes the experiences of a Ugandan woman and writes a novel that becomes an acclaimed bestseller, while writers of colour struggle to get published and have their own stories told. This is white privilege at its finest. Morally, should the privileged be able to profit from the experiences and oppression of another culture?

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  • ARTS AND CULTURE

    Finding yourself in the language of the Other

    • Tim Kroenert
    • 15 November 2016
    1 Comment

    In science fiction, stories of first contact typically have as much to say about humanity as they do about the extra-terrestrial creations of the author's imagination. Mary Doria Russell's 1998 novel The Sparrow explores the consequences of a Jesuit-led mission to a planet near Alpha Centauri, which are profound for the planet's sentient inhabitants and devastating for the human travellers. As in The Sparrow, language is central to Quebecois filmmaker Denis Villeneuve's philosophically piquant first contact story Arrival.

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  • ARTS AND CULTURE

    Coffee and birdsong

    • Mary Manning
    • 09 November 2016
    17 Comments

    'Pull the levers, scoop the coffee, flatten it, steam fragrant liquid into white cups. My lever-pulling right arm has huge muscles from my coffee ballet. Around me: the buzz of conversations about people's plans for their day. No one knows I am lonely.' Short story by former Eureka Street editorial assistant Mary Manning, who died on Tuesday 8 November 2016.

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  • ARTS AND CULTURE

    Faith and humanism behind Tim Winton's curtain

    • Tim Kroenert
    • 26 October 2016
    1 Comment

    'When I was a kid I liked to stand at the window with a rifle and aim it at people.' So begins the opening, titular essay. It is a singularly arresting entre to an essay that charts the author's complex relationship with firearms (part awe, part terror), by way of commenting on the place of guns in Australian society. In this collection of essays Winton adopts this mode frequently, weaving (sometimes deeply) personal narratives into stirring, thoughtful commentary on a broad range of social and political issues.

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  • ECONOMICS

    It will take more than a royal commission to tame the banks

    • David James
    • 10 October 2016
    2 Comments

    The strategy of the Big Four banks' appearance in parliament was clear enough. Blame the whole thing on a need to improve impersonal 'processes', imply that there have been a few bad apples but overall things are fine, and promise to do better in the future. The greatest challenge was probably to hide the smirks. A royal commission is being held up as an alternative, and no doubt it would be more effective. But a royal commission would not address the main issue.

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  • EDUCATION

    Homeschooling on the road

    • Sarah Klenbort
    • 04 August 2016

    While snorkelling at Ningaloo, we had an underwater lesson, in Auslan, about tropical fish and coral. On a walk to Manning Gorge on the Gibb River Road, I explained the terms 'first' and 'third-person' narrators. As we strolled past boabs, we discussed the merits and drawbacks of each perspective. Kaitlyn's written four stories on the trip so far and she recalled which point of view she chose for each story, and why. I used to criticise parents who thought their kids too precious for school. Now, I'm not so sure.

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