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Prisons are settings to which TV and film writers return regularly. It’s because ‘the joint’ gives them an environment in which they can enact the dramatic principle of the crucible easily: tension between duelling inmate protagonists and antagonists is heightened quickly to boiling point because no one can simply walk away.
Easter is a story of unlikely victory, which underlies the hope that inspires Christians to link the Palm Sunday March to the plight of refugees and to walk with them. This hope acknowledges the power of evil in the world which drives people out of their country, yet it refuses to be intimidated by such evil or to allow it to pass unchallenged.
Pope Francis's ten-year papacy continues to surprise and puzzle observers measuring him by liberal and conservative polarities. But to understand his actions and words better, it's important to recognise that his framework is not derived from contemporary culture but from Christian faith.
During a trip to Poland, an encounter with the story of Auschwitz survivor Eva Mozes Kor, who chose to forgive those who persecuted her and her family, serves as a reminder of the costly and essential need for remembrance and reconciliation.
The plot of Kate Solly’s very enjoyable first novel, Tuesday Evenings with the Copeton Craft Resistance turns on the conflict between good and evil, represented respectively by the generous desire to turn Catholic property over to refugees and the vicious desire to prevent the project by portraying refugees as Muslims and Muslims as sinister and alien.
Many Catholics will have found the news from Germany this past week painful. A law firm, Westpfahl Spilker Wastl, has presented findings in its investigation into historic sexual abuse in the Munich archdiocese. Running to 1,000 pages, the report is shocking: it lists at least 497 victims for the period 1945–2019 and identifies 235 probable offenders including 173 priests and nine deacons.
Once protests would have found expression in powerfully argued and persuasively delivered speeches. Now people look less to the power and skill of the words and more to the gestures in which they are embodied. This precedence given to performative language over deliberative language deserves reflection.
At the end of the third episode of the Netflix biopic Dahmer – Monster: The Jeffrey Dahmer Story, as the ‘Watch Next Episode’ timer ran down, I turned it off and haven’t returned. At time of writing, Dahmer was the number three-ranked show on Netflix Australia. Why are viewers willing to watch? And against the scale of such horror, can there be any redemption?
The world is facing cross-currents: a collapsing financial system that is balanced by the benefits of massive, long term improvements in production efficiencies, mainly because of technological advances. It is a bad news/good news story that can only be seen accurately if the intractable errors of contemporary economics are jettisoned. We are in a battle between finance fictions and reality.
Two weeks ago, Bishop Hilton Deakin died. My memories of him are inextricably tied to the Mass he celebrated in 1999 at St Patrick’s Cathedral in Melbourne, certainly the most emotionally charged event that I have seen there, following the violence orchestrated by the Indonesian military following the Referendum on Independence in East Timor. During the struggle for Independence, many East Timorese had joined the Catholic Church.
Reverend Tim Costello's informal status as a nagging conscience to many Australian governments, including the Howard government in which his brother Peter served as federal treasurer, was formally acknowledged when the National Trust of Australia chose him as a ‘National Living Treasure’. Barry Gittins speaks to Tim Costello about the nature of power, and its place and exercise in public life.
The word ‘Catholic’ is derived from the Greek Καθολικός (katholikos) meaning universal, of the whole, and the entire tradition is the very opposite of sectarian, particularist, narrow. It is most truly itself when it’s embracing and inclusive.
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