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There are more than 200 results, only the first 200 are displayed here.
This year has been a ‘unique’ year to study, to say the least. The impacts of COVID-19 on the sector have been not just trying, but simply devastating. I have not set foot in a classroom all year which, I have to admit, is one of the things I have always loved most about studying — the immersion within a learning environment.
While I was musing I heard scratching noises, faint, bothersome, at the mind’s edge, rather like mice nibbling and scuttling, or polter-somethings working through the ceiling. Then my nostrils tingled — hints of a smell, or one remembered or imagined.
With all its good intentions and charming participants, Love on the Spectrum is for the neurotypical eye. Just like The Undateables, a similar show from the UK, it takes the inner machinations of disabled lives and creates entertainment for non-disabled viewers. Autistic representation on television is rare, which makes it all the more alienating when these few depictions exist purely for everyone else’s warm-n-fuzzies.
Government attitudes towards universities, the humanities and the arts, are often a strange mixture of ignorance, blindness and misplaced priorities. It is almost as if their graduates fail to match the image of what the government would prefer Australians to be.
The larger questions posed by the destruction of the statues, and indeed of reputations, that they symbolise, concern how to handle complexity.
Calling healthcare a business was always logically flawed. Money is involved, but it is unlike any consumer product businesses. For one thing, the ‘customer’ in health does not decide what represents value, the provider (the doctor or equivalent) does. Patients may have a say, but usually only on the margin.
I’ve been left wondering at the amount of oxygen being given to a particular branch of ‘pandemic analysis’, one that sees cost-benefit analysis taking centre stage, with all the disturbing suggestions that follow.
We have always lived thus, in our heads. Bone domes, impenetrable to others, we might project animus, animation, add to Duncan’s questioning. The mind’s construction in the face, enigmatic, Rubik cube with sixteen squares on each face, so any signs I give are laced, graced with ambiguity.
I’d never heard of McKenzie Funk until I came across his marvellous review essay, 'Smoked Out'. I eagerly read on beyond the genial opening paragraphs and almost immediately, I found myself on familiar, if deadly, ground.
It's definitely the flesh and blood you, Thérèse, not the Little Flower of church statues and holy pictures, milky with sanctity. It's the frank-faced-child-in-lace-trimmed-dress-and-sturdy-boots you. It's the fourteen year old, hair-atop-head-in-a-bun-to-look-older-for-the-Bishop-so-he'll-let-you-take-the-veil you.
It was my first time at this library. I'd come to escape the heavy smoke and my old draughty apartment. Approaching the service desk upon arrival, I admit to looking deliberately pathetic in the hopes of avoiding a laborious sign-up process to access the wi-fi. I only wanted somewhere I could work safely, breathing in non-toxic air.
Whiteness — some days it's like a light mist constantly hanging around yet going mainly unnoticed as it stealthily seeps into one's pores. Other days, it hits you like a cascade, or a tsunami of whiteness. Tuesday, observing the news, felt more like one of the latter.
37-48 out of 200 results.