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The landscape has changed, and there is no going back. Individual journalists are now integrated into the ranks of pundits, urgers and persuaders who abound online. At their employers’ behest, they blog, they podcast, they ‘engage’ as the current jargon has it, with those who post comments to their articles online.
Most restaurants don’t grow all their own food. Of course, they can and may grow some produce, but their expertise is on the preparation, cooking and plating of the dish. They look to farmers to supply the raw ingredients. This is a pretty good analogy for the role of the national newswire, Australian Associated Press (AAP), which will be closing mid 2020.
The gradual additions to Australia's national security framework, in the absence of an entrenched constitutional right protecting the press, has made the conditions ripe for such raids. As Andrew Wilkie warns, such matters begin incrementally: a law here, a raid there, then 'one day you wake up and we look like East Germany'.
The difficulty for journalists reporting emergencies is they're having to make important and hugely impactful ethical decisions right in the moment. In balancing those tough decisions, how often does the common good start drowning in what will draw the most attention from an audience, and away from competing news organisations?
In a liberal democracy, the media's most essential function is to serve the public interest. This includes providing information so that the public can make informed decisions. In order to do so, journalists must decide what is in the public interest and why. 'Balanced' coverage of, for example, damaging aspects of the marriage equality No campaign does not fit these criteria.
The latest exodus from The Age has again drawn attention to shifts in the media industry. Are Fairfax papers indispensable? What does the future hold for Australian journalists who have lost their job? If the business model for newspapers is no longer viable, what does that mean for the value we place on journalism? Jonathan Green joins us on ChatterSquare to ponder these and other questions.
It's about eschewing hard facts and egocentricity to imagine the world through other people's eyes. I was prompted to think about empathy by the Abbott Government's decision to take 12,000 Syrian refugees. Whether or not the motivation was political, it's actions that count. Which was indeed the case with the Minister Dutton's display of negative empathy in his joke about the precarious climate plight of Australia’s friends who live in Pacific Island nations.
The 'intervention dilemma' is a perennial consideration for journalists and those who pay them and ought to be dictated by robust personal and institutional ethics. Louis Bloom is an example of what happens when ethics are stripped away and replaced with the bottom line. He raises himself from petty thief to the rank of nightcrawler — a cameraman who specialises in shooting the aftermath of accidents and crimes, and selling the footage to news networks.
There’s no doubt that quality and depth will both suffer, not just from job cuts, but also due to the cultural shift from a world of lasting tangible hardcopy that rouses you at 5 am to fleeting virtual postings that can keep you awake all night. But let’s hope Fairfax management remembers that in a crowded digital environment, quality and depth are the only things that can continue to distinguish its brands.
In the Australian media landscape, Eureka Street is countercultural, giving space to younger writers such as Ellena Savage. She edited Melbourne University's student newspaper Farrago in 2010, following a range of luminaries including Geoffrey Blainey, Morag Fraser, Lindsay Tanner, Kate Legge, Christos Tsiolkas and Nam Le.
The image of journalism that has dominated the news in the last month has been one of grubbiness, corruption and cover-ups. The of ABC journalist Paul Lockyer in a helicopter crash reminds us how much we are indebted to ordinary, decent and self-effacing journalists.
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