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We passed Paul's house each day on the walk to primary school. One day on a whim we knocked and invited him to join us. Once out of sight around the corner we proceeded to berate him, and to rough him up. We thought it was such fun that we did it again the next day. Kids can be cruel. I'm ashamed to say I was.
Pavel's meanderings are soundtracked by rock music blaring through his earphones. Increasingly the iPod seems to symbolise some nonchalant skein that isolates self-centred youths from the world around them.
This theatre of cruelty reflects the preoccupations of a protagonist unrestrained by physical revulsion, and evokes a nightmare world defined by sex and violence, where there is not much difference between the two.
A barroom brawl is transformed in Boy's head into a version of Michael Jackson's 'Beat It' music video. It's 1984 and Jackson is at his artistic and popular peak: pre-surgery, pre-child abuse allegations. Boy's worship is pure, but as an audience watching in 2010 we know the purity is transient.
Aaron initially rationalises his sexuality as a test from God, a test that priveleges him, as it gives him an opportunity to prove his resilience. Ultimately his affair with a younger man is rather more serious than simply a rebellion against an oppressive ultra-orthodox society.
Mother Fish recreates the journey by sea of a group of Vietnamese refugees. During an election campaign where both major parties are trying to win votes with prejudicial rhetoric about 'border protection', a bit of truth and humanity is just what's needed.
The case for Polanski's avoiding extradition has generally received a sympathetic hearing. The same sympathy is not generally shown to clergy who have been tried for less serious acts committed just as many years ago. October 2009
Back in March, I strolled the streets of Fitzroy in Melbourne's inner north with Warwick Thornton, trying to find a quiet spot for an interview. Two months prior to the release of his feature debut, Samson and Delilah, Thornton was quietly hopeful his film would be positively received.
The characters speak dutifully of Mass and Confession, but their Catholicism does not seem to pervade deeply, and contrasts with their unethical lifestyles. The adults, busy jealously guarding their own needs and desires, are oblivious to what their kids are up to.
The case for Polanski's avoiding extradition has generally received a sympathetic hearing. The same sympathy is not generally shown to clergy who have been tried for less serious acts committed just as many years ago.
Attempts by the Chinese Government to stop a documentary about Uighur activist and leader Rebiya Kadeer from screening in Melbourne remind us that China is a vast country governed by very different values to our own.
I only met Bud Tingwell once. Like so many others, I went away the better for the brief encounter. But the meeting also led me to ask questions about what matters, and how we should nurture it in Australian society.
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