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The DPRK's options in terms of defending itself against the US and its allies were always limited, leaving the way open for an assortment of pantomimes. The arsenal of the threat became normal: that, for instance, of incinerating Seoul, the possibility that Tokyo or Alaska might be targets. The show seems to be moving beyond the next boundary of what is deemed acceptable, largely because Trump deemed it impossible Pyongyang would have a viable ICBM option that could reach the US.
Malcolm X famously delineated two types of slave: the 'house Negro' and the 'field Negro'. Although a 'house slave' is closer to their oppressor and receives special privileges, they are still a slave. Chocolat in his role as the clown Auguste seems to be just another kind of house slave. Despite his success he is still maligned and at the mercy of masters. While rubbing shoulders with the rich and famous, he is routinely denigrated. Attention, he learns, is not the same as respect.
Some films seem custom made for the high school English curriculum. First Girl I Loved should be essential viewing and a conversation starter for teenagers and their parents, for its sensitive and authentic exploration of the lived experiences of young people coming to terms with their sexuality in a high school context.
Catherine arrives a new bride, with husband Alexander, to take up residence in his luxurious rural home. Quickly we get a sense of how little control she has over her destiny. Alexander demands she remain inside the house at all times; when one evening she wishes to go to bed early, her father-in-law orders her to remain awake for her husband. In the life of the household, she is merely an attractive object. Yet like her Shakespearean forebear, she is not averse to manipulation and violence in pursuit of her goals.
Running parallel to this is Houston's intimate, long-time friendship with Robyn Crawford. Broomfield stops short of characterising it as romantic; others do not, and space is given to rumination about the difficulties of being a black, gay woman. In any case, the friendship sparks tension with Brown, and disapproval from Cissy. Crawford's abrupt departure from the tour is another turning point. In Broomfield's thesis, Houston's drug habit is a reaction to these various threats to her authenticity.
Abbie introduces Jamie to the paired liberating movements of punk rock and second-wave feminism. Both lead to illuminating experiences, from his first rock concert, use of alcohol, and kiss, to being beaten for casting aspersions on a peer's grasp of female sexual anatomy. His relationship with Julie on the other hand provides a difficult counterpoint. His peevish concern over her promiscuity is largely possessive; his theoretical understanding of women's agency falling down in the face of adolescent hormones.
If two current Australian films are anything to go by, then one social issue weighing on local filmmakers in 2017 is the danger to women of emotionally and physically violent men. Neither film is a mere portrait of victimhood. The heroes of Cate Shortland's recent Berlin Syndrome and Ben Young's upcoming Hounds of Love - in the former, an Australian traveller in Europe, in the latter, a teenage school girl in suburban Perth - are ordinary women with both the will and capacity to fight back against their assailants.
'Faith is 24 hours of doubt and one minute of hope,' says one of the nuns at a 1945 Polish convent. Soon Red Cross doctor and avowed atheist Mathilde learns the details of the predicament: of the terror wrought at the convent by Russian soldiers at the end of the war. Over the coming weeks, she oversees the health of those who fell pregnant during the intrusion. Gradually she wins their trust and, in the process, has her mind opened to a brand of faith that, in such circumstances, can be anything but blind.
As the Church of 2030, we need to be more attentive to the contemplation of believers and our experience of spiritual realities, as well as the preaching of the church. Pope Francis has no time whatever for the notion of the Church as a perfect society. But, there is no way that Francis wants to abandon the ideals and the commitment to truth and justice so well exemplified by his predecessors John Paul II and Benedict.
There came a time for me, as it does for many, when going to church was no longer obligatory. I suspect it's most common in those middle years of adolescence - the time when parents feel the need to loosen their hold over you, but with the blanket of judgement ever fixed. My wane in piety was not unforeseen. Each Sunday, as my family was getting ready, I'd linger by the bathroom. The plan was to tentatively make everyone aware I wasn't quite up for church-going that day. Reactions varied.
Cynical about the prospect of any kind of afterlife, Maureen nonetheless spends time holed up in an old Parisian mansion, trying to commune with the spirit of her dead twin brother. She is employed by a difficult and demanding fashion model as a personal shopper; literally, she spends her paid working days buying clothes, shoes and jewellery for someone else. The juxtaposition of the pure materialistic focus of this work, and her doubt-riven incursions into the spiritual realm, is intriguing.
Pepsi's advertisement has been accused of appropriating the struggle for race and gender equality in the name of its product. It makes sugar filled drinks seem like the key to stopping police brutality against people of colour, and simplifies the way people engage and make change in the world. The image of Kendall Jenner approaching police has been compared to the actions of Black Lives Matter protestor Leshia Evans. While Jenner manages to strike up a friendship, Evans was thrown to the ground.
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