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There are more than 200 results, only the first 200 are displayed here.
When Kenneth Hugh Gittins is in the room and crash-tackling the conversation, well, eat your heart out Salvador Dali and Walter Mitty. Conversations turn surreal, fact-checking expeditions run aground. A charming teller of truths and tales (some tallish and some Himalayan), this rustic raconteur has perplexed many an audience or congregation and delighted many a grandkid and great-grandkid with his reminiscences.
With the likes of David Beckham and Tim Cahill openly supporting the FIFA Men's World Cup in Qatar next month, what of those troubled sporting figures wishing to take an ethical, moral stand against a tournament’s organisers? To that end, a new, disingenuous form of protest has emerged, one of virtuous self-promotion that eschews substantive effect.
Reverend Tim Costello's informal status as a nagging conscience to many Australian governments, including the Howard government in which his brother Peter served as federal treasurer, was formally acknowledged when the National Trust of Australia chose him as a ‘National Living Treasure’. Barry Gittins speaks to Tim Costello about the nature of power, and its place and exercise in public life.
The ‘Land Rights Now’ banner is hoisted against the wind, and the marchers set off for the Embassy. A young Aboriginal woman walks ahead of the banner. She has dyed her hair red. She turns and leans into the wind to face the marchers, holding a megaphone to her mouth. ‘What do we want?’ she shouts, ‘When do we want it?’ And she keeps going, exhorting the marchers. We reply ‘Land Rights … Now!’ The crowd tires before she does.
It was Christmas morning of... many years ago. I was about eight years old but, despite my advanced age, I remained a dogged believer in Father Christmas. This belief was maintained in the face of cynicism and derision from the youthful toughs I consorted with and despite my own unspoken qualms in moments of inconvenient rationality.
‘We removed him from the mausoleum’, wrote the Soviet poet Yevgeny Yevtushenko. ‘But how do we remove Stalin from Stalin’s heirs?’ The poem was published in 1962 but it’s still a good question. Today one of Stalin’s heirs commands a barbaric war against Ukraine with the enthusiastic cheerleading of another such heir – the leader of the Moscow Patriarchate reestablished by Stalin.
A house bursts into flames as it’s submerged in floodwaters. A doctor tells a cameraman filming a dying Ukrainian child to send the footage to Putin. A newspaper delves into the murder of a young woman. It’s like a fever dream: a pandemic bleeds into the edges of a global war. The news presents information, and it has no moral duty to tell us how we should feel about it or help us untangle the knot of feelings which emerge.
Many Catholics will have found the news from Germany this past week painful. A law firm, Westpfahl Spilker Wastl, has presented findings in its investigation into historic sexual abuse in the Munich archdiocese. Running to 1,000 pages, the report is shocking: it lists at least 497 victims for the period 1945–2019 and identifies 235 probable offenders including 173 priests and nine deacons.
I’m not sure that my Greek grandchildren know the word antediluvian or whether they have heard of Methuselah, but they certainly consider me an ancient relic who occasionally tells tall tales and true from the legendary past, and from another land. Of course they are unable to conceive of life or domestic space without screens: even my youngest grandchild, who has just had her first birthday, knows when a Skype call is imminent, and coos accordingly.
Writers inevitably learn bitter lessons, including one about readers who will be wounded, hurt, or at least deeply offended by their work. There is usually more than one group of these, for people become upset for reasons that are many and varied. Such is the case in the reaction to Jeanine Cummins’ fourth book, American Dirt. Cummins has been variously accused of stereotyping, racism, narcissism, and of lacking in empathy.
Although I teach poetry and do occasional workshops, the following is written in response to one such workshopper, new to writing poetry, who in lockdown would message me on social media with fairly open-ended questions about poetry. My answers are written after the wry manner of the Polish poet Wislawa Szymborska; wry, but generally helpful. They are not the launch pad for a new poetics. I have stopped for now at 12 questions, but the questions keep rolling in.
Two decades ago, an Indonesian vessel given the name SIEV X sank with loss of life that should have caused a flood of tears and a surge of compassion. Instead of being seen in humanitarian terms, the deaths of 353 people became a form of rich political capital, placed in the bank of opportunism to be amortised at a federal election.
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