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I have interviewed Wilson just once, while working for the ABC in Adelaide. I am not a Catholic. I abhor sexual abuse and its concealment. I do not wish to debate the rights or wrongs of resignation but simply reflect on whether the pursuit of Wilson could be described as a witch-hunt and whether he might be a scapegoat for the sins of many.
My instructor didn't understand my mental illness. I began to dread all the many never ending driving lessons, spoiled by his quick temper and my clashing negativity. I kept sliding backwards instead of forwards. Either too slow or too fast, according to my volatile moods. I could never get out of the woods.
Film buffs might regret there's not a more detailed technical breakdown of Bilcock's craft. Still it it is a warm-hearted tribute to the art of editing, the process by which a film takes its final form, often as different from what was shot as the footage isfrom the original script; and to one editor whose sense of character and audience is hailed by these directors as defining their films.
My Friend Dahmer, based on the memoir by John Backderf about his teenage friendship with the soon-to-be killer, is a complex character study of which Dahmer's troubled home life, repressed homosexuality, abuse of alcohol, and experiences of bullying and social alienation are motley features rather than defining characteristics.
How many more times are we going to see people get away with murder because police fail to value the lives and liberties of Aboriginal women enough to ensure they do their jobs? Will everyday Australians ever care enough to pressure these systems for justice for Aboriginal women?
An old man boarded the bus, seating himself next to me and behind the boys. He was unshaven, and his jeans had seen better days. He sat quietly for a few minutes, observing the scene, and then he tapped the nearest boy on the shoulder. 'I'm impressed by your enthusiasm, and it so happens I've written a poem about that subject. Here it is.'
Amid the shock and grief for Anthony Bourdain's death, one blue-tick Twitterer attempted to capture five minutes of shameful fame, declaring that religious people believe hell or purgatory is his afterworld destination. While all the great religious traditions generally proscribe suicide, they also contain nuanced views of the suicide's fate.
With the downfall of white society, Thoomi and other Aboriginal people have abandoned their white-established communities, to return to the land. Through embracing ancient communal practices, they are proving far more resilient than their white counterparts. It is through them that Andy may ultimately discover the key to survival.
The pressure starts to get to Annie when she begins to suspect her mother is haunting her. This exacerbates pre-existing tensions; her husband is caring in a mildly condescending way, but is more concerned with the wellbeing of their children. Is the haunting real, then, or just a symptom of Annie's reluctance to let go?
Chappaquiddick notes the effects of these expectations on Ted's actions, without sympathising. 'I'm not going to be president,' he murmurs, by way of announcing Kopechne's death to Gargan. He comes off as more pathetic than Machiavellian, the future Liberal Lion rarely having the courage of his convictions.
I often feel I have the best job on the planet. Teaching English to adult refugees should be a daunting task. Yet these classes are especially warm and congenial places to be. Human beings at their most vulnerable possess an extraordinary fund of light and laughter despite, or perhaps because of, the darkness they have left behind.
At the time of his death in July last year, Geoffrey Gurrumul Yunupingu was the most commercially successful Aboriginal Australian musician to ever grace this world. Anyone expecting Gurrumul to resemble anything like your typical popular music documentary will be quickly dissuaded. Gurrumul was a far cry from your typical popular musician.
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