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Melbourne had the strange experience of reading and listening to bushfire reports for five days while neither seeing nor smelling smoke. When the mind has no sensory leads to interpret, words become critical.
Idiopathic hyperhydrosis is an unpleasant affliction, and discussion of such does not constitute polite conversation. Kym's affliction is more debilitating: she's an addict, home from rehab to help celebrate her sister's nuptials.
Many of the things that impact upon a teacher's efficacy are beyond their control - the quality of a child's homelife, the politicisation of the curriculum. One thing they can control is much they care, though this may bring new teachers little comfort in the months ahead.
The controversy surrounding art photographer Bill Henson's images of nude pubescent children reveals how strongly in our culture runs anxiety about child abuse. As a media event his art has been confused with the commercial exploitation of children. (June 2008)
From the time Heath Ledger first stepped onto the Dark Knight set there was talk regarding the brilliance of his performance. His voice is a villainous snarl. His walk is a Quasimodo slouch. His eyes are anarchic. Ledger's joker is a force of nature. (July 2008)
It is apparently old-fashioned to expect to be primarily informed and engaged by a newspaper, yet that is what Melburnians loved about The Age. As a one-time Age columnist, I came in — and went out — at the turning point for that once venerable organ.
'New Wave' Australian films of the '70s and '80s, such as Picnic at Hanging Rock and Breaker Morant, wooed audiences and critics. This weekend, four films that few Australians have seen will vie for top honours at the 2008 Australian Film Institute Awards.
When you get hit by a bullet you never ever forget what it feels like. It feels like you got hit with the biggest rock there ever was. We were going along in the boat and we went around a beach where there was a battle, and a slug hit me in the armpit and knocked me right over.
As I walk the streets of Manhattan, things seem much the same as always. Yet newspapers are peppered with references to the market 'cratering', a term that conjures the desolate landscape of the moon. A friend suggested another interpretation: 'A crater is what's left after a massive explosion.'
In 1974 French acrobat Philippe Petit balanced mortality and destiny on a wire between New York City's Twin Towers. This documentary imbues Petit's dizzying, existential quest with the dramatic tension of a bank heist.
The characters provide a microcosm of Australia as a fledgling federation. Most poignant is the place of the film's sole Aboriginal character, a gifted pugilist who is ultimately subservient to the purposes of the white characters.
During the 1970s, Australian cinema experienced what many now regard as its golden age. Who were the maverick filmmakers gleefully scuffing up the flipside of that glittering coin, and why does Phillip Adams despise them so?
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