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Running parallel to this is Houston's intimate, long-time friendship with Robyn Crawford. Broomfield stops short of characterising it as romantic; others do not, and space is given to rumination about the difficulties of being a black, gay woman. In any case, the friendship sparks tension with Brown, and disapproval from Cissy. Crawford's abrupt departure from the tour is another turning point. In Broomfield's thesis, Houston's drug habit is a reaction to these various threats to her authenticity.
Abbie introduces Jamie to the paired liberating movements of punk rock and second-wave feminism. Both lead to illuminating experiences, from his first rock concert, use of alcohol, and kiss, to being beaten for casting aspersions on a peer's grasp of female sexual anatomy. His relationship with Julie on the other hand provides a difficult counterpoint. His peevish concern over her promiscuity is largely possessive; his theoretical understanding of women's agency falling down in the face of adolescent hormones.
The strident public debate about global warming and the threat it poses has died down. Few knowledgeable people deny its reality. At the same time, powerful interest groups and politicians appeal to the need for economic growth in order to weaken any international commitment. At such a time it is worth returning to Laudato Si, Pope Francis' passionate exhortation to care for the environment. Its most significant insight is that the environment is not something outside ourselves. We are part of it.
There came a time for me, as it does for many, when going to church was no longer obligatory. I suspect it's most common in those middle years of adolescence - the time when parents feel the need to loosen their hold over you, but with the blanket of judgement ever fixed. My wane in piety was not unforeseen. Each Sunday, as my family was getting ready, I'd linger by the bathroom. The plan was to tentatively make everyone aware I wasn't quite up for church-going that day. Reactions varied.
I decided to homeschool for one year, to give my daughter a chance to recover and to build her confidence. I never expected to fall in love with the lifestyle. Twelve months later, I gave in to my younger son's entreaties and began homeschooling him as well - just for one more year. In Victoria, the registration process is simple and straightforward. It is not surprising, then, that Victoria has the highest number of registered homeschoolers. But this may soon change.
Danny sang of farm labourers, poachers, mariners, union martyrs and miners. He did not simply perform the songs - that would be too much like exploiting them. His aim was to help preserve them. When he introduced a song it was clear that he had great respect for the tradition in which he fitted and that he had done extensive research into the song's provenance. The songs were important because of how they recorded aspects of working class life which mainstream histories might neglect.
An unread newspaper tumbles and breaks apart in the wind. A man sits alone on a park bench wondering what it would be like to hear children riding bicycles through the park. As darkness settles the city's workers commence their long journeys home. Not even the music of the street performers is heard anymore. They were all relocated. Car engines hum and airplanes roar. Somehow the city ecosystem continues despite the investment predators having eaten up all other types of life.
'It will be your artists: the poets, painters, actors, dancers, musicians, orators - they will be the ones to lead the changes.' It was one of the many international invited guests, a Maori woman speaker, who made this prediction to the huge 40,000 strong crowd that marched to Hyde Park, Sydney, on 26 January 1988. In South Australia almost 30 years later, this prophecy continues to unfold in the high-stakes battle for country that surrounds the proposed nuclear waste dump.
2017 is set to be a momentous year for the arts in Australia. On 1 November we commemorate 50 years since Harold Holt announced the creation of an independent body to champion 'the free play of our cultural interests and enthusiasms at all levels' — an announcement that meant bringing together disparate focuses and isolated funds with a national vision. Yet today's Australia Council faces an uncertain future, and the free play of our cultural interests is jeopardised by that uncertainty.
To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.
There has been a slow trickle of news outlets in Australia winding back their coverage of religion over recent years. Some might argue that this is a good thing in a secular democracy, and that discussion of religion creates division. This however flies in the face of the overwhelming good that religious belief, and religious-based organisations, do in this country. Not to mention the fact that religion and ethics are a major part of the narrative of society, of how we live together and how we form a community.
Belonging to a generation where I was constantly told I could do anything I set my mind to, I was carted off to every class imaginable as a young child - art class, violin class, music theory class, English literature tutoring and so forth. But the advent of unparalleled choices that was constantly peddled to me did not coincide with an increase in the spaces that are available for young people to excel, or much less be employed, in the fields of their choice.
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