keywords: New Australian Poem
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
- Peter Gebhardt
- 08 August 2017
2 Comments
I found years on that my Birth Certificate
And Christening Documents spelt out a nominal fate
Of which I was totally unaware,
Dragging in English, Irish, German lines of past blood,
Like good stock,
Corriedales and merinos of good fleece.
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ARTS AND CULTURE
- Gillian Bouras
- 19 May 2017
13 Comments
Does poetry still matter in our Twitter society? Such was the question that caught my eye during a random Google session. The answers consisted of some lugubrious comments to the effect that poetry, like the novel, is dying. It is hard to believe that poets were once considered celebrities, and that poetry was once a pre-eminent form of entertainment. We also generally refrain from mentioning poetry and politics in the same breath. 'Twas not always thus.
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ARTS AND CULTURE
Repeat your name over and over and it doesn't make sense. Being able to hear your name across a noisy crowded room. Being able to see things in the dark by not looking at them directly. Walking down an old path brings back a conversation you had in exactly the same location years ago. Your handwriting looks exactly like your father's. Revisiting a childhood park destroys the memory and paves over it with the newer, boring adult memory. When you chase something you can't have it.
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AUSTRALIA
- Andrew Hamilton
- 16 December 2016
11 Comments
TS Eliot's 'Journey of the Magi' ends with the ambiguous line, 'I would be glad of another death'. If we set alongside one another the birth of a new and sour political order and the birth that is central to the first Christmas story, we are challenged to resolve the ambiguity. We may give up our hopes for a just and peaceful world, retire from it as gracefully as we can, and accept the victory of power and brutality. Or we can return to the Christmas story and to the hope that is central to it.
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ARTS AND CULTURE
- Chris Wallace-Crabbe
- 17 October 2016
1 Comment
When I was a kid, I certainly knew, that a cassowary in Tinbuctoo, was able to eat a missionary, cassock, bands and hymn-book, too. Because it rhymed, it had to be true. But what on earth were those bands doing? Nothing musical, I'll be bound, And a cassock, what sort of jigger was that?
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ARTS AND CULTURE
- Jena Woodhouse
- 26 September 2016
5 Comments
Across the black hole of my solitude, the self-indulgent pit where I lick self-inflicted wounds, lightly step returning refugees. They know why they trek through forest, crossing rivers, day by day, on bruised and lacerated feet, in rain, on clay, on sharp-edged stones. For them there is no other way, and they are going home ... They have no doubt where they belong, the dying and the newly-born, no time to squander on regrets: they are going home ...
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ARTS AND CULTURE
- Kevin Gillam
- 13 September 2016
1 Comment
I understand the meaning of her silence but don't have a word for it so I scour night sky for a term for the sound of black between stars and moon and meteorites and planets and us and come up with 'evol' and write it down and then show it to her and she says 'is that the root of evolve like before stuff moves or morphs?' and I say 'no, it's love backwards' and she stares at me and says nothing
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ARTS AND CULTURE
- Geoff Page
- 23 August 2016
4 Comments
What's he doing in my dream, that cardinal from Ballarat? He's in some sort of seventies presbytery or hardwood hall, shirt-sleeved but with collar on and playing ping-pong like a pro, fully-focused, yet relaxed. Forehand, backhand, lob or smash, nothing is beyond his reach. The other player is unseen but plainly worthy of attack. There's just the click of celluloid foreshadowing the rise to Rome. No ball hit that's not hit back.
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ARTS AND CULTURE
- Darby Hudson
- 13 April 2016
3 Comments
Thinking my jadedness of the nine-to-five was vindicated, I crossed the road at lunchtime where this tow-truck was waiting its turn at the lights. The trucker had 'Born on the Bayou' by Credence blasting through open windows. Thought he had an amazing sound system. Then realised he had a drum-kit set up on his dash and was going for it with his sticks in time to the tune. He made his day job look easy — and all of a sudden I felt like a small little angry man. He made my week.
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ARTS AND CULTURE
- Geoff Page
- 09 February 2016
2 Comments
There were some cheers in Munich station but not all Eden proves to be so free with food and toys. There's something deeper in the blood. They have that sense of deja vu: horsemen, pikes and princes ... The pious knights of 1640, those fine sectarians, who charged for thirty years across the northern sweeps of Europe, are born again in Syria with new nomenclatures; so once again the hapless foresee it's time to move.
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ARTS AND CULTURE
- Lisa Brockwell
- 08 December 2015
3 Comments
There is another life where we end up together. We wake in the same bed, startled but not sorry; the timber frame is warm, hand-caulked with the day-to-day dedication of the long haul. The air between us no longer electric, all now sanded smooth. But whose dog jumps on the end of that bed: yours or mine? I don't plan to think about my husband or your wife; let's leave my son right out of it. Fantasy, no more dangerous than eating gelato and dreaming of Mark Ruffalo.
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AUSTRALIA
- Jeff Sparrow
- 02 December 2015
7 Comments
For many years, historian Gary Foley has drawn attention to the racist past inscribed throughout the infrastructure of Melbourne University. Now, some staff and students are campaigning to rename facilities linked to particularly egregious individuals, such as the Richard Berry building, named after a leading eugenicist who stole the corpses of Indigenous people for research designed to prove the racial superiority of whites. While some accuse the campaigners of politically correct censorship, in fact the past has already been censored, and the campaigners are dragging it back into the light.
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