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There are more than 200 results, only the first 200 are displayed here.
Nam Le is one of the strangest writers in the history of Australian literature and is also one of the most incandescently brilliant — which is very weird if you bear in mind that his primary claim to legendary status is a book of short fiction published in 2008. With 36 Ways of Writing a Vietnamese Poem, Le returns with a new work that encapsulates the brilliance and complexity that fans and critics have come to expect.
The Myanmar civil war has left the country devastated. Three years since a military coup, Myanmar is a humanitarian catastrophe. With over 2.7 million people displaced, the UN reported that 18.6 million people need humanitarian aid, 6 million of whom are children. A report from our correspondent in Myanmar.
Arguably Australia’s most celebrated living author, Helen Garner has built a reputation as a fearless and unapologetic writer whose work has remained fresh and relevant for over 45 years. We sat down with Helen to explore the challenges of confessional non-fiction, her fondness for church, and her commitment to unsparing self-analysis.
In a world where we are constantly faced with life's fragility, it's no wonder that we find ourselves wondering what lies beyond. Is it the bright promise of immortality, or the endless cycle of birth, life, death, and rebirth? Or perhaps nothingness? When contemplating the 'thereafter,' what can we hope for?
Climate science doesn't make for comfortable reading. As the climate crisis continues to escalate, Dr. Joëlle Gergis, prominent climate scientist and one of Australia's lead authors of the IPCC Sixth Assessment Report, offers readers a unique perspective on the urgent need for mass climate action and why we have reason to hope.
In Shadowline, Uwe's attempts to understand himself and his relationships through theoretical patterns are inevitably uneasy, but his diary entries reveal a man dedicated to personal growth and learning.
so across this bridge of days / lurks a hollowed-out light / picking over the shattered glass of streets / a day when sun / apportions out / this impartial / where the cut & paste / the haste / of swallows is knitting up / all the available light.
When Kenneth Hugh Gittins is in the room and crash-tackling the conversation, well, eat your heart out Salvador Dali and Walter Mitty. Conversations turn surreal, fact-checking expeditions run aground. A charming teller of truths and tales (some tallish and some Himalayan), this rustic raconteur has perplexed many an audience or congregation and delighted many a grandkid and great-grandkid with his reminiscences.
We celebrate wordsmiths, minor and major, whose gift it is to write the world for us / To create the nourishing broth, the alphabet soup, of words to work their magic / Words that exhort and advocate / That calm and soothe / Words on which to float away / Words for strength on another day.
In most circles poetry doesn’t matter. It doesn’t put bread on the table, nor raise people to revolt nor even make news unless a grizzled footballer is outed for secretly writing poems. Even in churches poems and hymns are altered to improve their orthodoxy in matters of faith, gender, race or modernity, but rarely their poetic quality.
We need to be able to do more than simply give notional assent to the Uluru Statement. We need to be able to contribute to the hard thinking and difficult discussions to be had if the overwhelming majority of our fellow Australians are to be convinced of the need for a Voice in the Constitution.
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