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There are more than 200 results, only the first 200 are displayed here.
Although I teach poetry and do occasional workshops, the following is written in response to one such workshopper, new to writing poetry, who in lockdown would message me on social media with fairly open-ended questions about poetry. My answers are written after the wry manner of the Polish poet Wislawa Szymborska; wry, but generally helpful. They are not the launch pad for a new poetics. I have stopped for now at 12 questions, but the questions keep rolling in.
After an excruciating few weeks of negotiations with the Nationals — and far too many hours subjected to Barnaby Joyce’s ramblings — the Morrison government has finally announced their predictably underwhelming plan to reach net zero emissions by 2050.
These weekday mornings all is quiet. / I stroll across the highway, / a piddle of cars in the outbound lane, / a puddle at the distant lights. / Along the parkland trail / cowled figures walk alone, / measuring their distance. / From the rise above the railway cutting / Macedon stands burly in the smoke-free air.
Well before the pandemic, the future for poetry’s slim volumes was looking far from healthy. Last November, the threatened closure of UWA Press, one of the largest publishers of poetry in Australia, drew attention to the narrowing opportunities for emerging poets to make their mark.
The neighbour says, So sorry. And sir, / you are the last paesano on this street. / Maria you promised me. I could go first. / Ti perdono, I forgive you, amore mio. / I sit in our backyard under lemon shade, amongst / the hens tomato plants and capsicums. I fall into each / wishful memory. We danced, those ad-hoc strolls / and laughter, you hummed our favourite songs.
In this experience of place and moment / is a knowing of timelessness / offering persistent invitation into a deepness of silence / Silence knowing and living out / the roots of a self-aware becoming / sometime known as eternity
Once again we’re forced to think about the ones who’ve kept us going, doctors, nurses, nurses’ aides, swallowing their fear and knowing masks, however good, can never be sufficient, those who check each other’s PPE, all suited-up as if they planned a landing on the moon.
Stopped at two stones, I languish beneath this vault tarnished with heaven. The tangle of these paths are in possession of my blindness. Nothing is more squalid than my monotony.
From my third-floor hotel balcony I could reach out almost to touch the mountain. It seems such a good neighbour. When I walk out by the Li River, the mountain follows me, shadowing my footsteps. I watch the river-boats working their ways across the current towards night-moorings, the fisherman homeward-bound with his cormorants.
I'm standing before the portrait of a woman with closed eyes, her hands delicately cupping, almost, her tilted head. In her face, in her composure, a flower-like serenity that speaks of care, reverence.
The green of your garden. A white box. Hive of bees. The colour of you.
Father’s hands of finer metal. Chisel, bandsaw, axe and mallet. Bone on wire and flesh on steel. He wore your scars and jabs and cuts. Your friction burns by grinding wheel.
85-96 out of 200 results.