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Representation of minority identities in popular entertainment is key to amplifying and dignifying those identities and their stories. Conversely, the lack of representation is a form of silencing. It's why the charges of racism laid against the all-black Luke Cage is so laughable. 'I will never get tired of seeing a bullet-proof black man,' series creator Cheo Hodari Coker told the LA Times earlier this month, positing the character as a riposte to the phenomenon of police shootings of unarmed black men in the US.
When confronted by violent killings we should be appalled, identify sympathetically with the victims and with those affected indirectly by these tragedies, and also take a respectful interest in the complex lives of the perpetrators and the relationships that contributed to the shootings. The pause before making larger judgments respects the complexity of motivation and of social interactions involved in the killings, and offers a base for reflecting on how we may lessen the possibility of them happening in future.
In September Sydney's Daily Telegraph ran the headline 'Schoolyard Terror Blitz', reporting that 'schoolteachers will be given access to radicalisation information awareness kits explaining how to identify students at risk and what they should do to intervene as concerns grow about the rise of teen terrorists'. As the government prepares to address the involvement of schoolchildren in violent extremism, a controversial program in the UK shows a dangerous path that Australia must avoid.
Myanmar is metamorphosing like a vast time-lapse image, sloughing off its old skin and replacing it with a glittering new facade. But decades of military rule cannot be dismissed so easily, and there is much for the traveller to consider. In the first place, is it ethical to visit at all? Travellers have long taken their cue from Myanmar's beloved democracy advocate and Nobel Peace Prize winner Aung San Suu Kyi.
On 1 January 2009, police in Oakland, California shot dead an unarmed African-American man, 22-year-old Oscar Grant. The event sparked riots, and renewed tensions around race and debates about police procedure. Underlying this politicised context is the story of a young father and former drug dealer who was trying, with mixed success, to turn his life around.
Fearful men should not be able to walk suburban streets carrying hidden revolvers. Yet that's the Bizarro universe the US finds itself in. Politicians in the US and Australia take note: if you spend your time creating a climate of anxiety, whipping up hysteria or building walls in order to score political points, the eventual result is going to be children lying dead in your streets or drowned off your shores.
The shooting death of 17-year-old African-American Trayvon Martin brought to public attention The Talk, an oral tradition where people who have experienced racial discrimination and violence teach their young to be cautious when they are out in public. Aboriginal Australians have their own version of The Talk.
Australian aid worker David Savage was severely injured by a suicide bomber in Afghanistan. The Taliban tried to kill him in revenge for the shooting of 17 unarmed Afghan civilians by a deranged American soldier. In more innocent times aid workers were regarded as angels by all sides.
On a quiet Sunday night 25 years ago Julian Knight committed Australia's first urban massacre on the street outside my home. The next morning, strangers — made mute — stood and met the silence of the dead. It is powerful to watch the Norwegian people meet the silence of their dead. Published 27 July 2011
'It's what happens when it's the school holidays and the kids are bored,' quipped one British Jesuit. 'Bit of heavy rain would put a stop to it.' His minimalist explanation rightly questions the apocalyptic theories that are being erected on the behaviour of excitable young people.
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