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With the global population consisting of 3.5 billion men, it can take time to sort the good guys from the self-appointed 'good guys'. When so many men (but not all) are quick to separate themselves from the Sexist Monsters That Only Constitute One Per Cent Of The Male Species, how can you quickly tell if someone's alright or alt-right?
The most successful political movements are those flexible enough to co-opt the rhetorical and ideological tropes of their opponents. The ones which fail are those which insist on ideological purity. They may be well-resourced, have plenty of volunteers and ambitious programs. But all this may count for little if they cannot sell their ideas.
Our own version of Kafka's The Trial is being played out under our very noses. 'Witness K' and his lawyer Bernard Collaery have been charged with making known Australian state secrets in connection with ASIS spying on Timor-Leste. The similarities between the plights of Kafka's Josef K and Witness K do not end with their names.
If you wish to peer into the heart of darkness, the nexus between big oil and big money is a good place to start. Those who control the energy market and the financial markets control the world. The latest victim of this brutal intersection is Venezuela, a country that has made the mistake of having the biggest oil reserves in the world.
The sound of the didgeridoo would be heard throughout the land. On each street corners buskers would mark out their patch, playing violins, oud, piano accordion, berimbau, nyatiti, cello, mouth organ, zither, anklung or daduk singing the love songs and epic poems from the many civilisations that have enriched Australia.
Next month, it will be two years since Tyrone Unsworth took his own life. He was 13. What makes his case stand out is that his suicide followed years of homophobic bullying, and occurred in the midst of the same sex marriage debate and conservative attacks on Safe Schools. Suicide does not occur in a vacuum.
The tradition of court jesters licensed to criticise the king exists in many cultures. It is part of a broader tolerance of satire in which the foibles and sins of the great can be safely criticised. The Shakespearian fools are typical in representing the view of the common man as he speaks truth to power. Printed cartoons stand in this tradition.
The Venetians came to power in this part of the world after the fourth crusade, during which Constantinople was sacked: this episode is still spoken bitterly of in Greece. The Venetians made many attempts to suppress Orthodoxy, so that prejudice lingers.
Canon law, not usually a household term, has come into the public eye of late, especially in the wake of the Royal Commission into Institutional Responses to Child Sex Abuse. Given this newfound prominence, it seems a good time to have a look at what canon law is — and what it isn't.
Hannah Gadsby's Nanette critiques comedy as an imperfect tool for processing and transcending trauma. Funny Cow, about a woman comedian in 1970s northern England, attempts something similar. Both say something about the intersection of comedy and trauma and what it reveals about how we relate to each other as human beings.
Either they are flat-out wrong, unable to read crime reports or understand what the police and other agencies are telling them (which leaves in question their ability to accurately and intelligently govern), or some apparatchik in the strategy back-rooms has decided it is a good way to garner votes with a 'tough-on-crime' campaign.
Cometh the time, cometh the exploitable prejudice. With millions of globally displaced persons, states are retreating from the business of actually treating the condition as one of dysfunction inflicted by war, famine and poverty. It has morphed from a matter of humanitarianism to one of social ill and unease.
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