Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
His government continues to support, with massive subsidies, extractive and exploitative industries that undeniably warm the planet and threaten the natural environment. How can this be a legitimate perspective as a publicly-confessing Christian? Why would this shepherd not want to move all of us to safer ground?
As musician James Blake pointed out regarding Jameela Jamil's contributions to his most recent album, the muse is an objectified woman who is seen to have no direct impact on the creation of the work itself and no creative life of her own, but is merely the source of the male artist's inspiration and a vehicle to project his own desires onto.
The problem with the discussion about nuclear energy is that it is a distraction; an ideologically driven misdirection by those who are more concerned with opposing renewables and the 'green-left' than solving our country's energy problems. Nuclear just doesn't make sense for Australia at this stage of the game.
In feminist circles, period shaming and the pros and cons of alternative menstrual products are well-trodden topics. So when I watched the ad from Libra, I saw it for what it was: a mainstream response to a movement that had been going on for years. The #bloodnormal campaign isn't revolutionary. It is, however, still necessary.
A recent report on the lack of culturally and linguistically diverse (CALD) representation in arts leadership recognises the limitations of the label. In an era marked by media bubbles, it is more vital than ever that we use categories such as CALD to build bridges, while not losing sight of our differences and varying levels of disadvantage.
According to anecdotal evidence, Pauline Hanson arrived at Uluru, climbed up to 'chicken rock', slid back down on her backside and then, later, met with some Anangu elders to 'get permission' to climb Uluru. The disrespectful farce was but one illustration of how the week went when it comes to showing respect for Indigenous rights and views.
The media often portrays climate change as a political issue. But politicians are the least trusted messengers for climate information. They really turn off the public. The most trusted are scientists, firefighters, farmers and weather presenters. Of these, only weather presenters have a large audience and are already skilled communicators.
The debate around climate change shows the danger in believing we humans are principally rational. History gives example after example of how our biases can make us do very irrational things. In the words of Dan Ariely, our species is 'predictably irrational'. It is helpful for us to know this, so that we can become better.
Intersectionality describes the experience of overlapping oppression faced by black women. Criminologist Chris Cuneen discusses the double jeopardy faced by Indigenous women in Australia who live under both colonialism and the patriarchy. Throw in capitalism and you get a sometimes-lethal triple threat.
Among writers familiar in Australia who write in this vein are Michael McGirr, Terry Monagle and the much missed Brian Doyle. Their writing does not merely describe but evokes and creates a world, and shapes a human response that respects its variety and mystery. These qualities are evident in Julie Perrin's Tender.
When discussing climate change, it's easy to depict the world's reliance on fossil fuels as primarily a technological problem, to be resolved by new methods for harnessing renewable energies. But that's only part of the story, as the example of Saudi Arabia shows.
The main character has a black partner, and her best friend is a black lesbian. Yet there is no exploration of race politics. We are supposed to believe that a world which is both incredibly class-driven and misogynistic is also non-racist. Even though we know through intersectionality theory and basic world history that this never happens.
73-84 out of 200 results.