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Keywords: Rehearsal

  • ARTS AND CULTURE

    The maestro and the war-scarred boy

    • Jena Woodhouse
    • 28 August 2017
    5 Comments

    He takes his flawless artistry to children traumatised by war, and plays for them this old violin, his oracle of everything. One lad has improvised an instrument: two strings, a stick as bow; and thrown away the rifle he was issued with to maim, destroy. Together they make music ...

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  • AUSTRALIA

    What's a little lie between friends?

    • Barry Gittins
    • 11 August 2017
    6 Comments

    ‘Would I lie to you? Would I lie to you honey? Now would I say something that wasn't true?’ The Eurythmics’ hit from 1985 has been played repeatedly in my head of late as I negotiate life as a Dad.

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  • ARTS AND CULTURE

    Spider music

    • Chris Jackson
    • 17 July 2017
    1 Comment

    I am, of course, a spider: my obstinacy, a viola; my gossamer back-and-forthing, woven ruminations of a violin. Watch me, busy always to continue a spider's life. All things love the little kingdom they inherit. This is home, intricate with fetched fidget, this scratchy bow-flight is a busy cello urging me to tracery, all tossed about in winds of orchestra.

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  • ARTS AND CULTURE

    Ten films that got us thinking in 2015

    • Tim Kroenert
    • 17 December 2015
    2 Comments

    From the drama-filled mind of a pre-teen girl to the homes of former Indonesian death-squad members; from a day in the life of a transgender sex-worker to a grim and sublime new rendition of one of Shakespeare's most famous plays; from one actor's immense ego to another's fading relevance to an allegedly doomed writer's captivating self-effacement, Eureka Street's resident film buff Tim Kroenert revisits the characters and themes of some of the best and most conversation-worthy films of 2015.

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  • ARTS AND CULTURE

    Stage legend's age rage

    • Tim Kroenert
    • 14 May 2015

    Famous actor Maria Enders finds herself cast in a new production of the play that kick-started her career. The play explores the tempestuous relationship between a businesswoman, Helena, and her much younger assistant, Sigrid. Back then, Maria played Sigrid. Now, she is to portray the older woman. Through her engagement with the material she probes her own ambivalence and insecurities about getting older.

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  • ARTS AND CULTURE

    Notes against a closed-fist mind

    • Peter Bakowski
    • 15 October 2013
    2 Comments

    Time is lost more often than it's found. Be wary of having too many intentions. Make the rut you're in as uncomfortable as possible. Don't dwell in dark places unless it's to gain empathy for those who dwell in dark places. No one is born with a conscience. If pigs could fly, there'd be less bacon.

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  • ARTS AND CULTURE

    Faith, apples and Peter Steele

    • Susan Fealy
    • 25 June 2013
    5 Comments

    Where were you? Not in the dark car, inside that shrunken space, on its slow glide to the boneyard. Perhaps in the white lineage of your brothers at the altar, or traced on your crucifix — your DNA, your trust.

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  • ARTS AND CULTURE

    Chivalrous knight

    • Andrew Hamilton
    • 04 July 2012
    1 Comment

    I have always associated Peter with words like chivalrous, knightly, courtly and courteous. He was courteous and elegant in conversation, listening intently to even the most inarticulate of people. But knights’ business is to fight. 

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  • ARTS AND CULTURE

    The eloquence of God

    • Brendan Byrne
    • 04 July 2012
    2 Comments

    'And the Word became flesh and pitched his tent among us, and we saw his glory, full of grace and truth' (John 1:1, 14). In the second-last conversation I had with Peter, we agreed that that text should be the Gospel for his Requiem. There is a sense, I’m sure, in which every poem that Peter wrote was an instance of the Word becoming flesh.

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  • ARTS AND CULTURE

    To exhilarate their minds

    • Peter Steele
    • 03 July 2012
    5 Comments

    Here's the mint still on my hands. A wreath, so Pliny thought was 'good for students, to exhilarate their minds'. Late in the course, I’ll settle for a sprig or two.

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  • ARTS AND CULTURE

    Andrew Hamilton and Peter Steele: boys with writing in their blood

    • Andrew Hamilton
    • 03 December 2010

    As I reflect back now, I can see the difference between Peter's urge to write and my own. My hero was the master of terseness, Tacitus. But Peter wanted to find words, and ways of putting words together, that could unfold the shape of what lay beyond words.

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  • ARTS AND CULTURE

    The wild mind of Peter Steele

    • Morag Fraser
    • 28 May 2010
    8 Comments

    When I met Peter Steele I noticed a spark, a shimmer of wit that almost subverted his serious courtesy. There was a wild mind at work and play, and I would have to run prodigiously fast even to catch at its stirrups. So it has proved: it's been a long, vigorous, and exultantly grateful following.

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