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I love reading about the lives of the poets. The ones for whom nothing good ever happened. The ones who were sure that if they did not write, they would surely disappear. The ones who tried to make the invisible visible, and failed; who carried news to this world from another one, as if it were bottles of wine and loaves of bread.
When Nancy Pelosi announced the House of Representatives would open impeachment proceedings, it seemed that finally the Trump Administration would be forced to reckon with its repeated disregard for the rule of law. Except, as Saturday Night Live's Kenan Thompson says in a hilarious sketch, 'Ain't nothin' gonna happen.'
I'm a white man in a white man's world, his mother tongue the lingua franca everywhere. I may not be rich, but I am more or less free, and my calling has let me travel the world. It's easy for me, not having had to fight for mine, to ask us to go deeper than identity when we write. But when James Baldwin says the same thing, it compels.
The visual language of climate change has become predictable and stunted. In the 1980s activists used an image of a polar bear adrift on a floe of ice to tell the story of global warming and rising sea levels. It's become visual shorthand for the topic — useful for quick categorisation, but stale and easily dismissed.
There was a love that manifested in my house that needed no naming. It transcended adjectives or nouns. We were so playful to the extent we tried our mother's dresses, skirts, blouses. In days when I felt the fullness of my mischievousness, I dressed like my mother or sister and ran out of the house to make people laugh. There was no fuss about it.
It isn't just mothers and wives who bear the burden. Many households outsource domestic labour to nannies, housekeepers and cleaners. These workers are part of a vast global industry that employs 100 million people around the world. They are usually women from poor backgrounds who are rarely paid well for their labour.
The widespread despair about climate change, and the seeming inability of progressives to offer a solution, provides fertile soil for ecofascism to grow. In a sense, given the scale of the crisis, their apocalyptic vision of an environmental race war can sound more realistic than the pallid centrist nostrums that everyone knows won't work.
Robert Harris' The Gang of One ranges through Harris' five published books and a number of uncollected poems. Early work grows from his occasionally lonely, knockabout life and reveals not only a talent for catching the essence of fleeting memories and perceptions but also a mordant touch that gives edge to memory.
The debate around climate change shows the danger in believing we humans are principally rational. History gives example after example of how our biases can make us do very irrational things. In the words of Dan Ariely, our species is 'predictably irrational'. It is helpful for us to know this, so that we can become better.
133-144 out of 200 results.