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For all our modern sophistication, refinement and technology, we remain in imaginative thrall to one of the most venerable and terrifying of folk figures. The vampire combines two of human kind's profoundly obsessive preoccupations: mortality and sex.
It may be a box office boon, but critics have slammed the Twilight series, and feminists complain that lead character Bella is a subservient drip and the vampire she loves, Edward, is a stalking patriarch. Why are smart films for women in such short supply?