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Keywords: Vernacular

  • ARTS AND CULTURE

    Wit, irony and the Australian vernacular: Remembering Brian Matthews

    • John Schumann
    • 15 June 2022
    4 Comments

    Most of us, when pushed, can name a couple of teachers who had a profound influence on our lives. For me, Brian Matthews was one such teacher. I enrolled in English at Flinders University in 1972. On asking the enrolling officer whether anybody was ‘doing anything about Lawson’, I was directed to the office of Brian Matthews, a recent appointment to the English Department. ‘I hear you know something about Lawson,’ I said, leaning in his doorway.

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  • ARTS AND CULTURE

    The true quiet Australians: 10 of the best of Brian Matthews

    • Brian Matthews
    • 09 June 2022
    2 Comments

    Brian Matthews, academic, award-winning columnist and biographer, and Australia's foremost scholar on Henry Lawson and his mother Louisa, died last Thursday 2 June following complications related to lymphoma, at the age of 86. Brian first wrote for Eureka Street in February, 2002 and continued to contribute his monthly column for 20 years.

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  • AUSTRALIA

    Shane Warne’s limelight

    • Binoy Kampmark
    • 07 March 2022
    4 Comments

    It was once said of T. E. Lawrence that he had a tendency to back into the limelight. With the late Shane Warne, arguably the finest slow bowler cricket has ever produced, it edged towards him. His debut appearance against India in the 1991-2 home series in Australia was not auspicious. Paunchy, exuding a vernacular Australian coarseness, and initially wayward, he received an object lesson from India’s Ravi Shastri and the youthful Sachin Tendulkar at the Sydney Cricket Ground. But there were already those incipient signs: the slovenly look, the ear piercings, the peroxide hair.

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  • ARTS AND CULTURE

    The romance of the song

    • Brian Matthews
    • 06 October 2020
    10 Comments

    He came in, sat down, and we talked about Henry Lawson. He was well read in the field, having encountered Lawson not only in a small way at school but especially at home where his mother had given him an anthology of Australian stories and he’d come across ‘The Drover’s Wife’. We hit it off: he was pleasant, engaging and witty and we resolved to continue our talk in the near future.

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  • ARTS AND CULTURE

    The art of storytelling

    • Julie Perrin
    • 18 August 2020
    31 Comments

    The capacity to story our experience is a powerful tool for reflection and understanding. As adults we learn that no story is pure and we are capable of telling ourselves spin, but the shaping of experience into story is the bread and butter of our lives. Narrative, it has been said, is a primary act of mind.

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  • ARTS AND CULTURE

    The seamless glass

    • Wally Swist
    • 09 June 2020
    1 Comment

    Of the inaudible seamless glass the reflections mirror, pellucid and far — they refract the stillness of the rocks whose silhouettes darken among the chiaroscuro of faces onshore. The mirrored reflections reflect the silence of sky, accompanying the sliding clouds that skate across the absolute clarity.

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  • ARTS AND CULTURE

    The sometimes ironic perception of 'things'

    • Brian Matthews
    • 02 August 2019
    4 Comments

    Robert Harris' The Gang of One ranges through Harris' five published books and a number of uncollected poems. Early work grows from his occasionally lonely, knockabout life and reveals not only a talent for catching the essence of fleeting memories and perceptions but also a mordant touch that gives edge to memory.

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  • ARTS AND CULTURE

    First trip to red earth

    • Bernard Appassamy
    • 18 April 2019
    2 Comments

    The isolation is familiar — like the Mauritius I grew up in, but these swans also capture a different Australia to the one I have known until now. What appears spectacular to a tourist travelling in an air conditioned car remains brutal for the locals, as evidenced by the drought and near ghost towns forced to reinvent themselves through tourism.

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  • AUSTRALIA

    'Virtue signalling' and other slimy words

    • Andrew Hamilton
    • 20 March 2019
    17 Comments

    The slimy words are those that convict their targets of simulating virtue. They include the old favourite 'bleeding hearts', the perennial 'political correctness' and the most recently minted 'virtue signalling'. They are slimy because they purport to be counters in rational argument but dismiss opposed arguments without engaging with them.

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  • ARTS AND CULTURE

    More lies about imaginary Mexico

    • Gabriella Munoz
    • 15 October 2018
    3 Comments

    The more than 53 million people living in poverty in Mexico are being insulted in every episode of the new Netflix reality show Made in Mexico. Nine socialites of Mexico's one per cent are the protagonists of a reality show that can only be described as a mishmash of The Real Housewives and Beverly Hills 90210, catty moments included.

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  • RELIGION

    Time to repeal 'ugly' Mass translation

    • Gerry O'Collins
    • 09 February 2017
    66 Comments

    It is good news that Pope Francis has appointed a commission to revisit Liturgiam Authenticam. This Vatican document, issued on 28 March 2001, provided the unfortunate guidelines that 'justified' the ugly, Latinised translation foisted on English-speaking Catholics by the 2010 Missal. I sincerely hope that Francis' commission will not merely revisit the document but strongly press for its repeal. The road will then be open to revisit the clumsy, difficult 2010 Missal and replace it.

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  • ARTS AND CULTURE

    Singing and subverting White American history

    • Tim Kroenert
    • 14 April 2016
    1 Comment

    The show's implicit subversiveness runs deep. It is embodied in the fact that its cast consists of mostly Black and Latino performers portraying White characters, using a vernacular and musical styles popularly associated with these cultural groups. It thus stands as a riposte to the history of black/brownface and whitewashing in popular entertainment. Crucially, in a show about 'founding fathers', it is the story's women who not only provide its emotional core but are also the most fundamentally heroic.

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