Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
I never had to confront the idea that the British monarchy — and the British Empire at large — was built on racist principles and benefitted from racist practices. Not until it came from the mouth of one of the Royal family’s favourite iconoclasts, Meghan Markle.
We will go to the laundry and finish coffee in time for the clothes to finish the wash cycle. This is called catching up with my father. He would say you don’t do this — you just don’t do that — talk about your dirty laundry in public.
Of my three sons, two have tattoos. Not all-over body-as-art ones, but tattoos, nonetheless, with my army son leading the way. When he rang to tell me about this new venture, I sarcastically remarked that the only way I could cope with a tattoo was that if it depicted a heart, an arrow and the message MUM. Needless to say, a guffaw greeted this remark.
What will it take, I wonder, to change these people’s minds? In an era as politically divisive as the one Americans (and Australians, for that matter) are living through, nothing is likely to convince detractors that COVID is an omnipresent threat — except perhaps the only thing with tangible currency in this whole blasted catastrophe: the visceral consequences of the pandemic itself.
The shepherd wife has one word for her cosmos – isychia: here is isychia, she tells strangers. Without amenities — no water, electricity — her house clings to a small crease in the hills, a tortoise shell; sea forces strips of blue between the planks of outer walls that have no windows to admit the sky, the hills’ harsh beauty.
I have stared at this photograph of me and Dad for more than five months. The picture was found in Mum’s drawer. After some calculations and contemplations, Mum said I was three years old in the photo. How much can I remember from age three? How far back in time can I go? What I could only do was stare, imagine, and ask questions.
Twenty-five years from his death we gather to remember, swapping anecdotes like bank notes weathered in our wallets. The one on how as deputy he’d learn, while pausing in a doorway, the names of all three hundred new Year Sevens in a week. And how when actors failed to show for one of his rehearsals, he’d stride the stage himself.
Magic, we’ve discovered in our first years of parenting, is an important part of raising children. It’s a lesson we’ve learned, at least in part, thanks to Bluey on the ABC. For those of you who haven’t yet encountered this little blue dog and her family, Bluey is the star of one of the ABC’s most popular Australian kids series.
He came in, sat down, and we talked about Henry Lawson. He was well read in the field, having encountered Lawson not only in a small way at school but especially at home where his mother had given him an anthology of Australian stories and he’d come across ‘The Drover’s Wife’. We hit it off: he was pleasant, engaging and witty and we resolved to continue our talk in the near future.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
Whereas the Vatican II document sought to engage with, and to respect, the autonomy of the modern world and its science, only too many of the Vatican’s official statements over the past fifty years have effectively resiled from that commitment.
73-84 out of 200 results.