section: Arts And Culture

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    Greece's wheel of financial hardship

    • Gillian Bouras
    • 03 November 2010
    3 Comments

    The Greek population is trying to cope with the consequences of three decades of greed and irresponsibility. My middle son is in the Army; my youngest son is a fire fighter. Both have had their salaries cut by a total of 3000 euros for the year, and more cuts may follow.

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  • ARTS AND CULTURE

    Ten short poems

    • Various
    • 02 November 2010
    4 Comments

    Lost — Waiting for Spring — God owes me Royalties — Niche — Folding & Flying — Judas and Jezebel  — Donne captains a ship of fools — Home — Loose Change — election

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  • ARTS AND CULTURE

    The inevitability of tears

    • Alison Sampson
    • 02 November 2010
    10 Comments

    When my grandparents died earlier this year, I barely cried at their funerals. While reading aloud at my grandmother's, I glanced out at the congregation and saw my grandfather's face shiny with tears, looking up at me ... My voice cracked, but I'm a good girl so I held it together.

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  • ARTS AND CULTURE

    Hating Canberra

    • Ellena Savage
    • 29 October 2010
    18 Comments

    Canberra's bad weather has its benefits: Brisbane was Australia's capital, we might be living in a banana republic whose despotic ruling family would never want to relinquish their grip on leisure governance. The best thing about hating Canberra is that it discourages nationalism.

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  • ARTS AND CULTURE

    No clear villains in Facebook tragedy

    • Tim Kroenert
    • 28 October 2010

    Facebook founder Mark Zuckerberg is reportedly displeased with the film. The decay of his friendship with co-founder Eduardo Savarin during the creation of a site predicated on accumulating 'friends' is the film's greatest irony, and greatest tragedy. 

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  • ARTS AND CULTURE

    Philosophy of food

    • Mark Chou
    • 27 October 2010
    6 Comments

    Epicurus makes clear that food is pleasurable to the extent that it satiates a need. My dad's longing for the foods of childhood has nothing to do with bodily hunger, and everything to do with remembrance of his childhood in Taiwan and of his parents.

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  • ARTS AND CULTURE

    Church tourist

    • Michael Sharkey
    • 26 October 2010

    Reflecting on the brutal way the hierarchy treated her, I see the logic of the place she holds in this ambiguous space. Born in murderous times among such vicious things as men become where power is at stake, she stands among the metal, glass and stone ...

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  • ARTS AND CULTURE

    Career criminal's uneasy redemption

    • Tim Kroenert
    • 21 October 2010

    Doug experiences for the first time guilt and empathy for one of his victims, as Claire confides in him the trauma of her kidnapping. It awakens in him a desire to be redeemed from his previous life. But redemption must be earned.

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  • ARTS AND CULTURE

    Insect empathy

    • Chris Wallace-Crabbe and Margaret Cameron
    • 19 October 2010

    Industrious servant of excellent fame .. You sting to protect the hive, then you die ... Instinct is such an unworthy name .. Which calls a selfless attitude, a lie.

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  • ARTS AND CULTURE

    Serious business for children

    • Andrew Hamilton
    • 15 October 2010
    4 Comments

    The suffering of children opens a door into the hardness of society. Think about the experience of the Stolen Generations, the detention of asylum seeker children, the sexual abuse of children. Societies try to close doors that open on to vulnerability.

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  • ARTS AND CULTURE

    What to do when trapped underground

    • Tim Kroenert
    • 14 October 2010

    The other people in Paul's life exist only as disembodied voices from a mobile phone, set adrift in the box in which he is trapped. This may be taken as an allegory for modern communication, where handheld electronic devices are the primary conduit to networks of interaction and intimacy. 

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  • ARTS AND CULTURE

    Subterranean interrogation

    • Vin Maskell
    • 13 October 2010
    7 Comments

    'Excuse me,' the young man says. I meet his brown eyes. Pondering how many coins I have in my pocket I note his tidy hair, olive T-shirt, well-fitting jeans, coloured sneakers. Maybe he just wants to ask about the next train. He is perspiring a little. 'Can I talk to you?' he asks.

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