section: Arts And Culture

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    Love, lies and cholera

    • Rochelle Siemienowicz
    • 24 April 2008

    The Painted Veil explores the painful dynamics of an unhappily married couple and the broader social issues that impact on their union. Filmed entirely in China, it depicts a country boiling with internal conflict, and a growing resentment of the colonial presence.

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  • ARTS AND CULTURE

    Denying the divine

    • Adrian Gibb
    • 23 April 2008
    11 Comments

    Through a scientific imbalance, I, and about ten percent of my world's populace, am unable to experience anything beyond normal human intellectual capacity. We became mediators, lecturers, scientists and editors — anything which required a complete lack of spiritual moral parameters.

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  • ARTS AND CULTURE

    Country war memorial

    • Bob Morrow and B. N. Oakman
    • 22 April 2008
    1 Comment

    A bunch of plastic pink carnations.. two white roses, limp.. scorched by frost.

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  • ARTS AND CULTURE

    Humanity reflected in the diversity of books

    • Brian Doyle
    • 21 April 2008

    Like people, no book is exactly symmetrical. Often the cover belies the interior, just as the bright faces of people often hide the stories beneath. Many we ignore too easily, a million we will never know, such being the way of the world.

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  • ARTS AND CULTURE

    Memorable voices invigorate Ireland Anzacs study

    • Brenda Niall
    • 18 April 2008
    1 Comment

    Many Irishmen volunteered to fight for Britain in the First World War. Others took part in the 1916 Easter Rising and subsequent struggle for independence. Like Gallipoli the previous year, the doomed Rising became a legend more powerful than a military success could have been.

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  • ARTS AND CULTURE

    Tibet trauma not written in the stars

    • Brian Matthews
    • 17 April 2008

    'Geo-politically astute' astrologer Jessica Murray believes revelations about China's violations against Tibet were prompted by astrological activity. For all their glib outlandishness and pseudo-scientific jargon, contemporary astrologers still fascinate.

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  • ARTS AND CULTURE

    How the West was warped

    • Tim Kroenert
    • 17 April 2008

    Cartoonist Bruce Petty has crafted a film as ambitious and chaotic as its title suggests. Global Haywire pastes talking head interviews alongside outrageous animated satire to create a political cartoonist's answer to a schoolboy scrapbook.

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  • ARTS AND CULTURE

    Smooth ethical edges give way to corruption

    • Moira Rayner
    • 16 April 2008
    2 Comments

    Having a conflict of interest is not, in itself, wrong — it is the potential for wrongdoing and corruption that must be avoided. We are not very good at this in Australia. From July-August 2003

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  • ARTS AND CULTURE

    Lotus flowers bloom regardless

    • Anne Carson
    • 15 April 2008
    3 Comments

    Our musician guide tells how he was made to smash his violin, his love. Fifty years on and grief still shapes his hands; splinters in his palms.

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  • ARTS AND CULTURE

    Bars not always made of iron

    • Jen Vuk
    • 11 April 2008

    By their very nature, zoos are perverse places. But this 'story of survival from the West Bank' is as much about a scarred community clinging to normality as it is about empathetic veterinarian Dr Sami and his endeavours.

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  • ARTS AND CULTURE

    Eureka Street loses two friends

    • Andrew Hamilton
    • 10 April 2008
    1 Comment

    The Australian Catholic Church and public life are the poorer for the passing of John Button and Archbishop Frank Little earlier this week. They both knew much about winning, but more about losing, and treated all they met with great respect.

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  • ARTS AND CULTURE

    Finding humanity in the book of lies

    • Tim Kroenert
    • 10 April 2008
    3 Comments

    Norma Khouri's fraudulent account of a friend's honour killing became a bestseller before her lie was exposed. Forbidden Lies also considers the way media spin facts into versions of the truth, and how artists use licence to carry their cause.

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