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I own my proclivities and short comings / I own the transgressions of those which have inflicted wounds some unhealed / I own the sublime moments of subjective joy / I own little but I am rich in compassion / I own not the land it owns me
Generations have historically operated in separate spaces, consuming, and interacting with the news differently. But social media has arguably deepened generational silos and echo chambers, altering our perception of world issues and most frighteningly of each other.
The time: Queen’s Birthday Monday 1992. The place: outside the Great Southern Stand of the MCG. The occasion: St Kilda versus Collingwood. One word, belonging to the world we all now live in, brings the scene vividly back to me … because the gathering throng is clearly going to be huge — much bigger than forecast — and because one section of the G, at least as I remember it, is closed off for some local temporary reason, a very large crowd will require more than routine management.
Attitudes towards truth have changed. Now we accept the idea that there are different sorts of truth: the phrases historical truth, narrative truth and emotional truth come trippingly off the lips of vast numbers of people. Then there are the complex notions of fantasy and fiction: we have long subscribed to the notion of novelists making up various ‘lies’ or fantasies in order to tell underlying truths about human nature. But we also have to accept, I think, that a gentleman’s word is no longer his bond.
The largest wave is friendship. / Heard stories about seamlessness / that sleepy beast of an upsurge that carries you in / until your fin cuts a channel in the sand. / There are dumpers that leave you gasping. / Will & persistence, how a cold current / can race to your head.
You’re a scavenger / so restless in your wakings / picking remnants in the hours / thieving at the doorstep / to sleep-this threshold / I turn to your profile / mussed hair dark on grey / we are always touching.
Writers inevitably learn bitter lessons, including one about readers who will be wounded, hurt, or at least deeply offended by their work. There is usually more than one group of these, for people become upset for reasons that are many and varied. Such is the case in the reaction to Jeanine Cummins’ fourth book, American Dirt. Cummins has been variously accused of stereotyping, racism, narcissism, and of lacking in empathy.
Although I teach poetry and do occasional workshops, the following is written in response to one such workshopper, new to writing poetry, who in lockdown would message me on social media with fairly open-ended questions about poetry. My answers are written after the wry manner of the Polish poet Wislawa Szymborska; wry, but generally helpful. They are not the launch pad for a new poetics. I have stopped for now at 12 questions, but the questions keep rolling in.
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