section: Arts And Culture
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
- Jim Davidson
- 10 July 2006
Jim Davidson’s verdict on Don Watson’s Death Sentence: The Decay of Public Language.
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ARTS AND CULTURE
- Deborah Gare
- 10 July 2006
Geoffrey Blainey’s Black Kettle and Full Moon: Daily life in a vanished Australia is a welcome discovery for Deborah Gare.
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ARTS AND CULTURE
- Rebecca Marsh
- 10 July 2006
Rebecca Marsh considers Naomi Klein’s challenge to the multinationals in No Logo.
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ARTS AND CULTURE
- Kerrie O’Brien
- 10 July 2006
Kerrie O’Brien contacts some entertaining ghosts in Blithe Spirit.
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ARTS AND CULTURE
- Kate Llewellyn
- 10 July 2006
Poem by Kate Llewellyn
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ARTS AND CULTURE
Jo Dirks looks at a new film on the life of Dietrich Bonhoeffer.
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ARTS AND CULTURE
- Godfrey Moase, Marcelle Mogg, John Carmody
- 10 July 2006
Reviews of Frontier Justice: Weapons of mass destruction and the bushwacking of America; Best Australian political cartoons and Quarterly Essay, ‘Made in England: Australia’s British Inheritance’.
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ARTS AND CULTURE
- Morag Fraser, Lucille Hughes
- 10 July 2006
Reviews of the films Master And Commander: The Far Side of the World; In The Cut; Mystic River and Nicholas Nickleby.
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ARTS AND CULTURE
- Juliette Hughes
- 10 July 2006
New Year’s resolutions: 1. No more TV IQ tests that expose one’s innumeracies and estimate one’s intelligence at somewhere between a One Nation voter and a newt.
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ARTS AND CULTURE
- Trent O'Bryan
- 10 July 2006
2 Comments
Karen Kissane’s book on the murder of Julie Ramage by her husband makes us ask ourselves whether the private attitudes that allowed men to claim provocation as a defence for killing their partners have really changed. Do they also need to be overhauled?
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ARTS AND CULTURE
- Sarah Holland-Batt
- 10 July 2006
Here is a boy in a listless room, breathing ... All is quarantine. Laughter on ration ... Nothing moves except the boy's hand.
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ARTS AND CULTURE
- Sebastien de Robillard
- 10 July 2006
2 Comments
The film is not about the musicians, it is solely about the music. Kaurismaki set out to ‘capture the soul ….the magic feeling and the unique emotional bond’ of choro. You are left completely satisfied and even discreetly swinging your hips as the credits roll.
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