section: Arts And Culture
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ARTS AND CULTURE
- Haley Joray Arnold and Cassandra Golds
- 01 August 2017
2 Comments
You used to have feet like a Russian ballerina/Arches (like ones plebeians would stand under, lose their breath for a moment)/The weight they carry remarkable for the/Tiny bones inside ... Despair stalks the house/Outside, like weather/Inside, like air/It has no form ...
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ARTS AND CULTURE
I read the obituaries every Sunday. Maybe as a writer I enjoy the stories people leave behind. I think too, that in this age of fake news, angry politics and incessant streams of information, the obits offer a slice of realism. One small headshot and a two inch long bio. That is all that remains of us in the end. You might think that perusing the obituaries would be depressing. But for me, it's invigorating. It's energising. It renews my faith in humanity.
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ARTS AND CULTURE
- Megan Graham
- 26 July 2017
9 Comments
I came to the Planet of the Apes films a little late, thinking it was just a bit too far on the silly side for my tastes. But with time to kill on a holiday in 2014, I watched Rise of the Planet of the Apes and Dawn of the Planet of the Apes and found myself surprisingly invested in the emotions of the characters. Released in Australia today is the latest episode: War for the Planet of the Apes.
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ARTS AND CULTURE
- Andrew Hamilton
- 26 July 2017
11 Comments
In our society ethical questions such as those to do with marriage, crime and punishment, the beginnings and endings of life, and freedom of speech are often highway issues. Protagonists establish in advance the right way to go, keep their foot down and their eyes on the road without noticing the terrain the highway traverses. Road signs indicating another destinations or alternative routes are ignored and towns by-passed. Certainty is gained; understanding of country is sacrificed.
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ARTS AND CULTURE
- Barry Gittins
- 24 July 2017
2 Comments
ants don’t sleep elephants weep presidents creep oolong teas steep and we observe. dictators serve goosekillers swerve ignorance hits curve art shows verve and we obsess. rabbits stress tortoises press paedophiles confess corporations bless and we object
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ARTS AND CULTURE
- Tim Kroenert
- 19 July 2017
This is a deliberate subversion of typical, destructive Western tropes by Coppola, in which it is the male character who is objectified by the female gaze. In this she probes how this particular man either thrives under or is stymied by such objectification. John is more than aware of the sexual and romantic stirrings he has aroused among his new companions. But in his assumption that his objectification is empowering, he has utterly underestimated the emotional and psychic complexities of those doing the objectifying.
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ARTS AND CULTURE
- Chris Jackson
- 17 July 2017
1 Comment
I am, of course, a spider: my obstinacy, a viola; my gossamer back-and-forthing, woven ruminations of a violin. Watch me, busy always to continue a spider's life. All things love the little kingdom they inherit. This is home, intricate with fetched fidget, this scratchy bow-flight is a busy cello urging me to tracery, all tossed about in winds of orchestra.
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ARTS AND CULTURE
- Tim Kroenert
- 13 July 2017
2 Comments
C is waiting for something; for the meaning of his truncated life, perhaps, and of his marriage to M, to become clear. Divorced from linear perceptions of time, he rushes into the future, to witness the cityscape that replaces the suburban neighbourhood; and into the past, where he views the aftermath of the massacre of a colonial family. Amid this in-folding of time, and the evidence of death and transience, the partygoer's nihilistic prognostications echo fiercely. But they do not satisfy the truth-seeking C.
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ARTS AND CULTURE
- Victor Ugwu, E. Unimke Ugbong, William Okello Kadima
- 10 July 2017
2 Comments
We remember that sad morning, when the bombs exploded, when the cold air, suddenly became too hot, when the flock became wild, how they ran into the wild. look! see! The vineyard is still on fire! look! see! The market stalls is still on fire! We slowly limped, towards the west we head, to where the air is still cold, to where the field is still green, towards the West, to where came the bombs, we head.
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ARTS AND CULTURE
- Megan Graham
- 05 July 2017
Malcolm X famously delineated two types of slave: the 'house Negro' and the 'field Negro'. Although a 'house slave' is closer to their oppressor and receives special privileges, they are still a slave. Chocolat in his role as the clown Auguste seems to be just another kind of house slave. Despite his success he is still maligned and at the mercy of masters. While rubbing shoulders with the rich and famous, he is routinely denigrated. Attention, he learns, is not the same as respect.
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ARTS AND CULTURE
His baseline is country, ridges, lakes, breakaways, songlines, and we are taken along the skylines of his imagination which shoulders its way through the streamers of the players race, colours askew, bursting out into the field of play where we are invited into his game, his rules, goal posts he moves forever, we engage with the master gamer.
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ARTS AND CULTURE
- Tim Kroenert
- 29 June 2017
1 Comment
Some films seem custom made for the high school English curriculum. First Girl I Loved should be essential viewing and a conversation starter for teenagers and their parents, for its sensitive and authentic exploration of the lived experiences of young people coming to terms with their sexuality in a high school context.
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