section: Arts And Culture

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    Thoughts on a lonely God

    • Gillian Bouras
    • 10 August 2015
    12 Comments

    When my son was four, he asked me one night, 'Why did God make the world and us?' I nearly broke a plate while searching for an answer; in the event, he beat me to it. 'I think he did it because he was lonely.' Perhaps the great, 'blasphemous' Greek writer Nikos Kazantzakis also considered the possibility of God's loneliness, for at one stage he wrote: 'My God and I are horsemen: we ride and converse.'

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  • ARTS AND CULTURE

    A euthanasia parable in the outback

    • Tim Kroenert
    • 06 August 2015
    3 Comments

    Dismayed by the prognosis that he has only three months to live, Broken Hill cabbie Rex abandons his work, home and mates and sets out for Darwin to seek the help of prominent euthanasia advocate Dr Nicole Farmer (a fictional Dr Philip Nitschke). The story is as much about the journey as the destination, although there are those who would argue that its pat 'choose life' message just feels too easy.

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  • ARTS AND CULTURE

    Greece's lonely season

    • Jena Woodhouse
    • 04 August 2015
    5 Comments

    A tarnished pomegranate warms the chill niche of the windowsill, mottled like a faded kilim, mellow rose, dull gold; the island in the autumn thrums to lyres of the bourini, the pagan tongues of log fires in the chimneys; ancient ferries plying the Aegean in the winter run the gauntlet of the gales like emissaries of reason. It is the lonely season.

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  • ARTS AND CULTURE

    Skank-shaming Amy Schumer

    • Tim Kroenert
    • 30 July 2015
    4 Comments

    It's not hard to see why Amy Schumer was offended. Last week, Melbourne KIIS FM breakfast co-host Matt Tilley earned the ire of the proudly feminist comedian by suggesting one of her characters is a 'skank'. The sleight comes not just from Tilley apparently missing the fact that the story is semi-autobiographical. It sits far too easily in a tradition of harmful double standards regarding male and female sexuality.

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  • ARTS AND CULTURE

    Love's twists and turns

    • Isabella Fels
    • 28 July 2015
    4 Comments

    How I love spending good quality time with you | You twist yourself around me giving me no space. I just want to hurl you into space | You're leaving, that's a fact, you said it straight out, with hardly any tact | I'm so alone being without you, I can still feel your glare | Thank you for giving me your love.

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  • ARTS AND CULTURE

    Future shock is the new normal

    • Brian Matthews
    • 24 July 2015
    8 Comments

    They are ‘coming to get us’, warns our Prime Minister, adapting the ‘bogey man’ mode of our childhood fears to the contemporary narrative of terrorism and violence. The effect of related intrusions on our daily lives is being gradually dulled. The neoliberal dispensation under which we now live both relies on, and encourages, new episodes of normalisation that go far beyond what we've known in the past.

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  • ARTS AND CULTURE

    Why Marvel was wrong to whitewash 'wifebeater' Ant-Man

    • Tim Kroenert
    • 23 July 2015
    1 Comment

    It is the most kid-orientated of the recent Marvel films — so maybe not the right forum for deconstructing the domestic violence sins of a key character's past. Still, considering the whole Black Widow/slut-shaming debacle that followed The Avengers: Age of Ultron (and that film's alleged gendered stereotyping of Scarlett Johansson's Black Widow), it is not a good look to note that Marvel president Kevin Feige last year literally laughed off the prospect of spousal abuse being touched on in Ant-Man.

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  • ARTS AND CULTURE

    Middle age suits me just fine

    • Isabella Fels
    • 22 July 2015
    10 Comments

    Ageing. Looks fading. No longer able to wear the clothes from my early twenties. Feeling slovenly and matronly but enjoying the respect I never got when I was young. Deep down I love being called Madam. In middle age, I feel much more empowered and no longer so cowered towards authority.

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  • ARTS AND CULTURE

    Tough but fair confronts human vulnerability

    • Lea McInerney and Sandra Renew
    • 21 July 2015

    The woman holds up her hand to stop him speaking, with one finger pushes her black-framed glasses back into place, continues tapping keys in a large face calculator. The tiny baby in the old pram sleeps. Will our children know the cost of it all?

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  • ARTS AND CULTURE

    Love and violence in Thomas Hardy’s England

    • Tim Kroenert
    • 16 July 2015
    4 Comments

    English literary journalist Lucasta Miller noted that Hardy's title, Far From the Madding Crowd, with 'madding' taken to mean 'frenzied', is an ironic nod to idyllic perceptions of rural life; Hardy 'disrupts the idyll'. At the heart of the story is Bathsheba, a proud and independent young shepherd who becomes the new proprietor of her late uncle's farm. Her story unfolds against stunning rural landscapes that provide a sublime stage for violence both physical and emotional.

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  • ARTS AND CULTURE

    Tears as a sign of inner strength in troubled waters

    • Cassandra Golds
    • 15 July 2015
    5 Comments

    'You are stronger than you know.' To scroll through Facebook is to meet such exhortations constantly. Often circular, and strangely unhelpful. Some, at a time of rising concern about violence against women, are downright alarming. 'A strong woman is one who is able to smile this morning like she wasn’t crying last night.'

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  • ARTS AND CULTURE

    The moment of not knowing wishes do not come true

    • Jane Downing
    • 14 July 2015

    I will put my pinky round one arm, she'll do the same to the other. our knuckles will graze, purchase will slip on the smooth old bone. Thumbs will hanker to push against the head that binds the two arms. But our mother says, wait.

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