section: Arts And Culture
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ARTS AND CULTURE
- Barry Gittins and Jen Vuk
- 13 February 2015
The Best Australian Essays 2014 finely illustrates the unnervingly unclear line between essay and short story, but no-one plays with form quite like the indomitable Helen Garner. She offers such a brooding, aching ode to her mother. Proof again that good writing is an inexorable, spiritual exercise that seers itself into the reader's memory. How does she do it?
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ARTS AND CULTURE
- Tim Kroenert
- 12 February 2015
6 Comments
The late Salvadoran Archbishop Oscar Romero, who as of this month is one step closer to beatification, has long been regarded as one of modern history's great champions of the poor. In 1989 he was 'canonised' on celluloid. The production has not aged well but is elevated by the late Raul Julia, whose conflicted, heroic portrayal of Romero is surely as iconic as the man himself.
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ARTS AND CULTURE
- P.S. Cottier
- 10 February 2015
8 Comments
Subtle as a ventriloquist, he clacks and grins ... But the beer is flat and the snags, the snags are burning to memory. Someone should give him a lap. Someone please give him a gong.
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ARTS AND CULTURE
- Tim Kroenert
- 05 February 2015
2 Comments
The brilliant linguistics professor Alice Howland and her biologist husband, John, sit down to break the news to their adult children: Alice has early-onset Alzheimers. At first Alice maintains a fragile, trembling stoicism. But when she tells them the disease may be passed on genetically, the façade slowly implodes. 'I'm sorry,' she weeps, horrified by the prospect of what she clearly sees as a betrayal.
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ARTS AND CULTURE
- Michael McVeigh
- 04 February 2015
12 Comments
To prevent arguments, I have given up using the word 'football' for any code. I now almost exclusively use the terms soccer, Aussie rules, rugby (union) or league. What matters is not the shape of the ball, but whether a sport can provide great stories and spectacles on the field.
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ARTS AND CULTURE
- Diane Fahey
- 03 February 2015
2 Comments
The wind a cool shadow felt at my back: when the sun’s blaze slams into my chest, I am held between them as if both would claim me, pass through me. So grief, with its heart-heat, its pressuring shadows, lays claim, passes into and through us.
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ARTS AND CULTURE
- Brian Matthews
- 30 January 2015
9 Comments
We all have these abruptly resurfacing images and references that pop up unannounced. For example, Treasurer Joe Hockey’s musings on the poor, who don’t drive very far – ‘O scathful harme, condition of povertie’ (Chaucer). And the rich, who are ‘lifters’. I was invaded mentally by Yeats’s ‘Surely among a rich man's flowering lawns.’ Without pain and with cigars and smirks of self-congratulation.
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ARTS AND CULTURE
- Tim Kroenert
- 29 January 2015
1 Comment
Cheryl Strayed is haunted by her past — by her own sins, and by tragedies that have befallen her. As she walks, she hums, and the music she hears in her head leads her in and out of the past. Her solo 1600-plus km trek along America's Pacific Crest Trail is a metaphor for her life: each hardship she overcomes brings her a step closer to facing down the fierce regrets that gnash at her heels.
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ARTS AND CULTURE
- Brian Doyle
- 28 January 2015
27 Comments
Martin Luther was absolutely correct and right philosophically when he nailed his Ninety-Five Theses to a chapel door in Wittenberg. The Catholic Church was rife with greed and corruption and scandal and lies and theft and devious financial plots, as it still is, and probably always has been. But I maintain that Luther was utterly wrong and incorrect in his choice of tools.
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ARTS AND CULTURE
- Kevin Gillam
- 27 January 2015
beering, untangling, cruising, jaunty and blooming, the boys, in the ambered half light, the boys
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ARTS AND CULTURE
- Ellena Savage
- 23 January 2015
9 Comments
America's iniquitous health care system is often portrayed with dark humour in popular culture such as the 2007 Michael Moore film Sicko. Our own Federal Government has been putting constant pressure on our system of universal health care as it pursues a course of action that presents class warfare as fiscal responsibility. It raises questions about the vested interests behind dismantling health care protections for poor people.
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ARTS AND CULTURE
- Tim Kroenert
- 22 January 2015
Riggan's ego is immense. The action takes place backstage during the days leading up to the premier of his latest vanity project, and onstage during a series of previews. Riggan is out of his depth, prone to humiliating blunders, including one that results in a near-naked dash through the crowds of Times Square. But his resolve to affirm his greatness in the eyes of a media and public that has dismissed him is maniacal.
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