section: Arts And Culture
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ARTS AND CULTURE
- Tim Kroenert
- 29 August 2013
A psychologically scarred war veteran struts about dressed as James Brown. An annual 'rocket' festival sees men celebrate explosives, in a country riddled with unspent American bombs. And a ten-year-old boy, who is accused by his grandmother of being a bad luck charm, sets out to prove that he is not to blame for the tragedies his family has endured.
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ARTS AND CULTURE
- David Lumsden
- 27 August 2013
5 Comments
He carried no phone and sent no text. He had no email address, deleted no spam, recharged no devices, never backed up.
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ARTS AND CULTURE
- Barry Gittins and Jen Vuk
- 23 August 2013
3 Comments
Chopper's a racist, self-billed sociopath with acknowledged mental and physical health issues and a highly evolved if bizarre set of moral principles. A raconteur ever-ready to discuss the robbing, bashing, torture, murder and disappearance of various peers and colleagues. Yet he is also a man who recognises the damage done by the spiritual, emotional and physical abuse he took as a child.
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ARTS AND CULTURE
- Tim Kroenert
- 22 August 2013
Frances and Sophie had been virtually co-dependent; a celibate lesbian couple, they'd joke. But with a new circle of friends and a new fiancé, Sophie is quickly outgrowing Frances, and this throws Frances into disarray. She approaches life with wide-eyed wonder, and tries to maintain the wonder no matter what life throws at her. But endless optimism can be wearying work.
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ARTS AND CULTURE
- Gillian Bouras
- 21 August 2013
6 Comments
Forgiving and forgetting are weighty matters. It is unlikely, for example, that Judith Tebbutt and Nigel Brennan, both of whom were held hostage in Somalia, will ever be able to forget their experiences of prolonged isolation, near starvation, and threats of death. Yet both have achieved a kind of forgiveness via the effort to understand their captors' lives.
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ARTS AND CULTURE
- Barry Gittins
- 20 August 2013
5 Comments
Manus Island's hot, there's no protection for the weak. Though you think you're kind, it's true asylum that I seek. What's the point of difference between the church and state? Why do Salvos validate a policy of hate? History repeats, you Aussies did the same to Jews. Running from the Nazis, with their pleas for help refused.
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ARTS AND CULTURE
- Tim Kroenert
- 15 August 2013
2 Comments
As social commentary Elysium clearly has in mind any country that receives 'unwanted' arrivals of refugees. But it seems particularly timely in Australia, where the political response to asylum seekers who arrive by boat is simply to stop them. The response by the fictional bureaucrat Delacourt, to blow the smugglers' ships out of the air before they reach Elysium, certainly takes the 'stop the boats' mentality to its extreme.
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ARTS AND CULTURE
- Selected Poems
- 13 August 2013
I have lost my recipe for making time, but it must be similar to making lasagne. The meat sauce of opportunity, the pasta strips of memory and the cheese roux of anticipation. In fact I'm making some moments right now, and I'm hoping they don't over-cook.
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ARTS AND CULTURE
- Benedict Coleridge
- 09 August 2013
7 Comments
Monet, in a period of deep grief and loss, made what was in his career a rare decision: to paint other people. The artist forgot himself in contemplating the faces of his wife and his son, in depicting the faces of death and of incomprehension. We need icons like this — icons of incomprehension, reminders of the fragile self that, behind its virtual armour, is beset by doubt and demons.
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ARTS AND CULTURE
- Tim Kroenert
- 08 August 2013
1 Comment
'God didn't give me these talents and looks to just sit around being a model or being famous. I want to lead a huge charity organisation. I want to lead a country, for all I know.' In 2008–2009 a group of teenagers stole $3 million of jewellery and clothes from the homes of Paris Hilton, Lindsay Lohan and other Hollywood stars. Coppola portrays this as an outcome of materialism centred on celebrity worship.
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ARTS AND CULTURE
- Selected poems
- 06 August 2013
1 Comment
The factory thrust its bloody quota past her six days a week, and she did what she had to. The gloves and boots and heavy denim became first and last lines of defence. She lost a thumb once, then a fingertip a year later. Language didn't come into it. She got sick and sacked in the same fortnight, then lay doggo for a decade.
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ARTS AND CULTURE
- Tim Kroenert
- 01 August 2013
3 Comments
On 1 January 2009, police in Oakland, California shot dead an unarmed African-American man, 22-year-old Oscar Grant. The event sparked riots, and renewed tensions around race and debates about police procedure. Underlying this politicised context is the story of a young father and former drug dealer who was trying, with mixed success, to turn his life around.
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