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In the Philippines and elsewhere, the spread of disinformation appealing to fear and hatred has helped create what Rappler CEO Maria Ressa describes as a 'spiral of silence that has had an incredibly negative impact on our democracy'. Social media platforms are far from blameless.
Whether Carr or Greer participates at Brisbane Writers Festival has no real impact on their ability to speak out and be heard. The real threat to freedom of expression for most people comes not from programming decisions at literary festivals but rather to the public through their employers.
For too long, the media has been complicit in maintaining the conditions which allow the likes of Cottrell and Hanson to become 'figures'. They fuel history wars, demonise migrants, target Aboriginal activists, objectify and ridicule women while ensuring at the end of the day, the Murdochs and Packers of the world still have hefty pay cheques.
In May 2018 Archbishop Wilson was convicted of concealing a serious indictable offence relating to the sexual abuse of a teenage boy by a priest in his diocese. Wilson is the highest ranking Catholic cleric to be convicted of such an offence. The Church's response to this episode should be of particular interest.
I have interviewed Wilson just once, while working for the ABC in Adelaide. I am not a Catholic. I abhor sexual abuse and its concealment. I do not wish to debate the rights or wrongs of resignation but simply reflect on whether the pursuit of Wilson could be described as a witch-hunt and whether he might be a scapegoat for the sins of many.
There has been a recent spate of men making inappropriate remarks. Barry Hall made a sexist joke on air. David Leyonhjelm told Greens senator Sarah to 'stop shagging men'. Bert Newton made a rape joke at the Logies. They were all called out. The way each responded left a lot to be desired.
On the face of it, Miquela is the same as any other ‘influencer’. But behind her normcore sunglasses, Miquela is dead. Orchestrating her content is Brud, an LA-based tech startup masterminded by Sara DeCou and Trevor McDefries. The more interesting question is not who Miquela is, but why she matters. Because Miquela holds up a mirror to how we construct our own online personas.
Those of us who write regular columns have little time for introspection. We are too busy getting up the next article. But we are frequently prompted, sometimes by our disappointed readers, to ask what we are up to. Every now and then our readers deserve a personal response.
#MeToo, a movement founded and nurtured by Tarana Burke (a civil rights activist and a woman of colour), was intended to be collective and accessible. By contrast, in Australia we are seeing a mainstream picture of women's liberation that ignores a longstanding struggle for diversity, genuine inclusiveness and radicalism.
There is political hay to be made in convincing the right that the ABC has a leftward bias. The strategy counts on short memories. When Labor was in power, it would routinely complain that, in being too stringent with government, the ABC was aiding the Coalition. This only suggests that the ABC does its job, no matter who is in charge.
While the female-led outcry continues, those men benefitting from the imbalance ought to question their privilege. Instead of carrying sympathetic white roses into the Oscars, they should use the opportunity to question their own complicity in accepting roles in movies where women are inadequately represented.
Does watching this ridiculously premised film full of obnoxious characters, complete with smatterings of Singlish, make me feel culturally represented? Yes. There are threads of cultural recognition in the Southeast Asian locations and the Chinese customs that resonate, as well as the cultural mobility of various characters.
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