A- A A+

Farmed out

Helen Hagemann |  24 October 2011

Country gate

There were many gates that swung in and
out of our street where we lived. Some
were exceptional in iron grillwork. Others

shared the nose of a dog. A few hung over
their shadows, or lay bereft on their sides
forgetting the rituals of open or closed.

I used to swing on the front gate, eager
to see a space refusing to be still.
I could lay my body over the rounded

top rail as if watching the morning's
wrinkled map of footprints in sand, black
ants erupting from tiny volcanic nests.

Our gate was chain-link steel, an intricate
pattern that Gran could have made with her rug
and crochet skills had she had stronger needles.

Now the gate is no longer there, pulled down
for four apartments. My parents are no longer there,
father going fourteen years before my mother.

This sounds very sad, but it isn't. I believe
they are swinging somewhere in heaven.
Not on St Peter's gate, but in a body

of metal and cushions, similar to a porch
swing, a touch too heavy for a cloud perhaps.
But they'd be there alright sitting side by side,

enjoying the view, swinging, back and forth,
back and forth, as children do on country gates
looking at the world from a different angle.


farmed out

i
old jam tins are sleepers in a rubbish dump
a scarred hollow of digging, even

before the rust came, the yard had a kind of design:
trees as old as frost, melon sky at sundown

a coattail earth of flax and ants navigating
sound before the paddocks came

ii
ordered out on finance plans they cuddled children
with their debts. he drew fear from flood and seedless

sun. she traded contradiction for curves and valley
hips, verdant sod of earth, reckless drift of goats.

when the bailiff came, the end of lamb and beef,
she clung to rock and let the salt erupt from hands

and tongue the way the body bleeds its bitterness.
he roped a bulky contents under tarp,

sped through every gate, clouding exile
and the bright disturbance of his wheat

iii
here on this white paper words rim
the borderline of their passion

it moves in some direction to inhabit lives
as couplets of unknown pain.

poems cannot see collapsed hearts
fresh wounds, first rage, so in here

their darkness spills on fingers to form silence
like a letterbox, where only the clouds go by


Coda: a house of pockets

at the age of five
day after day

I am trying to play soap bubbles
on the veranda
in a cubbyhouse of coats

but our dog keeps bursting
his nose in

each drop
heavy on his paws
soaking the surface of my floor

instead of round drifts
of rainbow colours
broadening out my experience

they land like Noah's flood
plop, plop, splat!

I wait five minutes
until he's gone
wipe my hands in the containment of pockets

he just doesn't understand
I'm raising the waters of foam
to be like Gran
the perfect air show that floats
from her concrete trough 


Helen HagemannHelen Hagemann is the author of Evangelyne & Other Poems and an ebook of poetry, The Joyous Lake. She recently completed a three-week residency at the Tyrone Guthrie Centre in Ireland working on a new collection, tentatively titled Rhapsody in a Coat Pocket.


 

 


Helen Hagemann

Recent articles by this author


Comments

Comments should be short, respectful and on topic. Email is requested for identification purposes only.

Word Count: 0 (please limit to 200)

Similar articles

Trashing American English

5 Comments
Brian Matthews | 30 September 2011

old metal drumsFew dump masters are as erudite as Steve. 'Had a bloke here the other day, a Yank. Said he was after a couple of barrels. "You mean drums," I says. But no. He didn't want to play the bloody drums, he wanted barrels. Well, I says, the only barrels round here are wine barrels. What you want is drums.'


'We will decide who comes here'

2 Comments
Peter Gebhardt | 27 September 2011

Pink empire

It might be an epitaph on a tombstone, or an ancient call to prayer ... Forget the ancestral trespassers, the heritage forbears, the gin and bitters people. They didn't ask, they just used their guns.


The mystical art of rudeness

2 Comments
Tim Kroenert | 22 September 2011

Chauvet Cave paintingThe interviewer snaps at one archaeologist, who is attempting, with little success, a demonstration of Palaeolithic spear-throwing. At other times he is astute and discerning, drawing experts out on both the academic and mystical significance of one of the world's most significant archaeological sites.


Chance meeting with an inventor

2 Comments
James Waller | 20 September 2011

Algae shadowHans shows me an invention which magnifies letters for his failing eyes, so that still he may read, so that still the winds may turn the bronze art coins of his perception. Cobweb-like sculptures dream upon some shelves, poetry is the wing of his bird-like speech.


Exposing UN sex and violence

2 Comments
Tim Kroenert | 14 September 2011

Rachel Weisz, The WhistleblowerUN peacekeeper Kathryn Bolkovac uncovers evidence that some of her colleagues have been involved with sex slavery and human trafficking. Her interactions with one victim reinforce her determination to achieve justice, while highlighting the limits of her ability to do so.