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ARTS AND CULTURE

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  • 10 October 2022
Selected poems

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We Helveticas are everywhere

down subways across shopping centres

hey heyyying on dating apps

s(t)olid pillars

tempting you into our cult

be like us we can give you

unencumbered lines

soft smooth curves

respectability & ineffability

none of those serif riff-raffs

uncouth fringe-dwellers

taking all sorts of liberties

protective membranes

that will hold you together

we are the ruling classes.

Saturday

There will be nothing

outside this room

beyond this bed

the moat around us

can be ringed with fire

let the world burn

there is only skin

osmotic in feeling

rippling in concert

so tell me of the labyrinth

coiled inside you

in the shrouded light

your eyelashes alone

their rapid beckoning

will turn tides in me

we can wax and wane

cortex flooded with

moonshine and wine.

Lost in IKEA

I reckon we’ve passed that Kivik three times remember that sage or is it khaki ottoman on the right of the Liatorp that everyone covets and the dumpy lumpy Parup found in all the share houses that ever existed we need to double up back trace to the beginning near the stegasaurus plushies bypass the fine pine ensemble of Jokkmokks again and all the Bissas and the Tjusigs and just follow the arrows and the numbered signs how hard can it be we are here aren’t we but no we are supposed to be there where the rugs are where is number 16 why are we still on number 8 we have seen that Pinnig four fucking times now and I still don’t want it in any of its colours it’s clearly mocking us with its sturdy lines that will never take less than six hours to assemble how long have we been here already wait is that a shortcut or a trap labyrinth if we follow it will we find the cocktail glasses or will we be taken back to Linnmon and the Lagkapten once again goddam this Borgesian nightmare I knew we should have eaten the meatballs first.

 

Thuy On is Reviews Editor of ArtsHub and a critic, editor and poet. She has two collections of poetry published by UWAP. Turbulence (2020) and just recently Decadence (2022).