Search Results: film

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  • ARTS AND CULTURE

    New adventures in David Brent's theatre of cruelty

    • Tim Kroenert
    • 31 August 2016

    There are hints of darkness behind the laughs. We learn Brent spent time in an institution some time after the original 'documentary' aired. He is shunned by his band members, who see themselves as reluctant employees rather than friends. What emerges is a rather affecting portrait of a man whose self-identity is at total odds with reality, and threatening to come crashing disastrously down.

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  • AUSTRALIA

    Dickensian England lives on in Australia

    • Kate Galloway
    • 25 August 2016
    15 Comments

    Oliver Twist is still used to aid understanding of the trauma arising from poverty, and the suffering of children at the hands of individuals and within institutional settings. In broader Australian society we assume Dickensian attitudes to children have evolved. Aligned with the sentiments behind child protection, society's image of children and childhood is idyllic. Yet beneath this veneer lies a substratum of deeply ambivalent, even malevolent, attitudes towards children with a distinctly Dickensian flavour.

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  • ARTS AND CULTURE

    Antiheroes of the Bush-Cheney arms boom

    • Tim Kroenert
    • 24 August 2016

    War Dogs is the latest in a string of films from the past few years that are custom made for our cynical times; deeply ironic black comedies and dramas featuring antiheroes who profit to the point of excess off the misery of others. Where those films dealt with the finance industry and gained relevance from the backdrop of the Global Financial Crisis, this one shifts focus to the grimier world of arms dealing, in the context of Bush era conflict in Iraq and Afghanistan.

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  • ARTS AND CULTURE

    Dying with dignity in Madrid

    • Tim Kroenert
    • 18 August 2016
    6 Comments

    The film's quiet humour leaves open many spaces for reflection on getting older, and on mortality. Tomas is uncomfortable with the subject of death, but Julian is determined to confront it with honesty and dignity. His activities during those four short days reveal he possesses a well formed conception of his own humanity and mortality that is not short of admirable. We are as sympathetic to Paula raging against her cousin's resignation, as we are to Tomas' growing acceptance.

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  • ARTS AND CULTURE

    Food for thought in atheist inspired animation

    • Tim Kroenert
    • 11 August 2016
    1 Comment

    There's a bagel character, coded as Jewish, and a lavash (Armenian flatbread), coded as Palestinian, who clash because they have to share an aisle. 'Isn't the aisle big enough for both of you?' asks Frank. In this and other ways the film points to the destructive power of religious belief corrupted by self- or socio-political interest. On the other hand it ignores the role religion can play in developing robust ethical thinking about the ways in which we can interact meaningfully with others and the world.

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  • AUSTRALIA

    The economic case for greater diversity in media

    • Fatima Measham
    • 04 August 2016

    Perhaps what will ultimately convince media and entertainment companies that it is in their interest to be sincere about diversity is that there's money in it. A UCLA study found that in 2014, eight films that had diverse casts (out of 163) also had the highest median global revenues and returns on investment. In addition, TV shows with majority non-white casts rated extremely well, even among white households. This challenges conventions around what media consumers find appealing.

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  • ARTS AND CULTURE

    Alfred Hitchcock's Catholic guilt

    • Tim Kroenert
    • 04 August 2016

    The interviewees regard Vertigo with awe, waxing lyrical about its psychosexual subtext; but not a word is said about the inherent misogyny of a film that is explicitly about a man's objectification of a woman. The film's most interesting segment however concerns the pre-eminence of guilt in Hitchcock's films, and the role it plays in shaping human activity. This, says Martin Scorsese (a filmmaker similarly preoccupied with guilt and sin), may define Hitchcock as an essentially Catholic filmmaker.

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  • ARTS AND CULTURE

    The quiet torture of unspeakable grief

    • Tim Kroenert
    • 29 June 2016
    1 Comment

    This strange and engrossing Italian film proffers an unsettling rumination upon the rituals of mourning, and upon a mode of grief which itself is a kind of death. It opens with a sweeping close-up of an imposing crucifix, and the fine musculature of a graven Christ. A mass of mourners is then revealed, and before them a woman, immobile and weeping silently. The camera angle cuts to calf level, to reveal a trail of urine more copious than her tears, running down her leg to her shoes.

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  • ARTS AND CULTURE

    Feminist parable's message for Eddie McGuire and co.

    • Tim Kroenert
    • 22 June 2016
    7 Comments

    That McGuire, eventually, and presumably under pressure from the club's board and a major sponsor, offered what seemed to be a sincere apology, barely diminishes the fact that the comments were made in the first place, compensates for the lack of real repercussions, or excuses the time and effort that was required to get the incident on the agenda at all. Like a good parable, Mustang illuminates the ethical deficit of such a scenario, where women can so readily be bulldozed by powerful male voices.

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  • ARTS AND CULTURE

    Miles Davis drama diminishes domestic abuse

    • Tim Kroenert
    • 16 June 2016

    In one scene, as Taylor and Davis argue, the dialogue comes down and the score comes up; her voice is literally taken from her. When Davis then physically assaults her, the message is clear: his music and his violence are notches on the same spectrum. This conflation of creativity with destructiveness is a typical error of mainstream biopics about great artists who were not nice people. Yet applied in the context of spousal abuse it is not only specious but ethically dubious, even dangerous.

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  • ARTS AND CULTURE

    Angst and insecurity in public school battle of wills

    • Tim Kroenert
    • 08 June 2016

    Vice-principal Rickard claims the credit for having lifting the status of the once struggling public school, and sees in the smart but troubled new student Mark both the potential to do well and a danger to his own legacy. For his own part Mark, who was previously kicked out of the private school to which he had earned a scholarship, sees in Rickard a misguided do-gooder and, later, something a little more dangerous: an ambitious man whose ego is the flipside of insecurity.

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  • ENVIRONMENT

    Greg Hunt is the master of polluting the debate

    • Greg Foyster
    • 02 June 2016
    11 Comments

    All politicians and political parties select the statistics and 'frame' that best suits their position. But even among the slippery-tongued ranks of federal parliamentarians, Greg Hunt is in a league of his own. The frustrating thing is that proving him wrong is almost counterproductive. One of the main reasons for stalled action on climate change is the issue has become overly abstract. Debating technicalities with the Environment Minister just reinforces these ways of viewing climate change.

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