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With an Aboriginal mother and Irish American Catholic father, Joan Hendriks is a bridge figure between the Indigenous and Catholic worlds. Her life's goal is to bring these two realms into productive engagement. By Peter Kirkwood
Ben Cousins is no angel, but neither is he a demon; just a man with a problem that he's fought to contain. His story has mirrors in the lives of many people who have battled addiction. Seven's treatment of it borders on exploitative.
The women assemble to sing, dance, tell stories; thus the elders induct younger women into the religious knowledge and rituals that are shared across a wide area. Yuwani Annie's origin story blends a Yanyuwa version with the biblical Adam and Eve story.
'Anyone watching this saying it in some way supports or encourages violence is watching the film in a very perverse way.' UK filmmaker Michael Winterbottom has a point, but one must wonder what scenes of brutal violence against women contribute to the betterment of the public imagination.
Aaron initially rationalises his sexuality as a test from God, a test that priveleges him, as it gives him an opportunity to prove his resilience. Ultimately his affair with a younger man is rather more serious than simply a rebellion against an oppressive ultra-orthodox society.
The Power Without Glory trial ought to be read as a high-profile and long lasting punishment meted out to traitors to a so-called Australian normality. Frank Hardy's acquittal and the campaign to defend his novel partly belong to mid 20th century Australia's strong anti-Catholic undertow.
Mother Fish recreates the journey by sea of a group of Vietnamese refugees. During an election campaign where both major parties are trying to win votes with prejudicial rhetoric about 'border protection', a bit of truth and humanity is just what's needed.
When it comes to asylum seekers, both Labor and Liberal leaders spruik policy that taps into negative community feelings toward 'the other'. Fr Francis D'Sa offers an alternative vision embracing multiculturalism and religious pluralism.
As Meredith approaches, two boys appear on the cliff and call for the boat to turn back. This allegory for the asylum seeker experience is not entirely out of place: Meredith seeks asylum from personal horrors that lie in her wake. But the curdled milk of human unkindness flows readily.