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Today, the relationship between Indonesia and Australia — the 'most important relationship' espoused by our Prime Minister — is aching. People are saying we must boycott Bali, that we must not go to Indonesia. While I understand these sentiments, I do not think this is the answer. To stay within our borders would only maintain the status quo. Instead we must embrace our neighbours and rekindle our friendship.
When my friend Lena told me she wouldn’t be vaccinating her newborn son Sammy, I admit I was fascinated but not surprised. Lena was always going to do motherhood her way. There are many like her who decided with a clear vision and level-head. But I can no longer accept these decisions. Since having my own precious boys, my world view has shifted and I am less ignorant.
Australian references to 'boat people' is simplistic and offensive. 'Queue jumper' inaccurate and moralising. Even the term 'asylum seeker' has become politically complicit. European coverage of this week's Mediterranean boat tragedy describes the victims and survivors simply as 'migrants', which is an open description of a person on a boat crossing borders.
During the West Indies 1960-61 tour of Australia, Frank Worrell and his predominantly black team transfixed Australians from coast to coast and, without any missionary intent, struck a resounding blow at the White Australia Policy, which was still in place. This jubilant, exciting story prompts questions about today's masses, who enthusiastically support harsh, and arguably racist, treatment of asylum seekers.
The language of martyrdom is being used to recruit young Australians to brutal stateless warfare. Because martyrs are morally superior to suburban burnouts. IS propagandist Abu Ismail described Melburnian Jake Bilardi as 'a lion on the battlefield although he was at a young age and with a weak body'. So, Bilardi was a weak young lion and therefore ripe for battle. How obscene!
Call me paranoid if you like, but as I walked away, affecting a nonchalant strolling gait, I knew, I just knew, that she was a climate change denier and was daring me to argue the point. Had I hesitated one more moment, I would have been regaled with statistics about the mild coastal summer and other utterly benign climatological phenomena.
When Damo and Darren's 'Train Station' — Michael Cusack's animation of an obscene 'part derro, part yobbo, part bogan' duo fighting over a lighter — was published on YouTube, it clocked 2 million views in its first month, and made people very happy. I showed it to a friend who had grown up in England's north under Margaret Thatcher. He was not amused. 'Why are Australians laughing at poor people?' he asked.
We all have these abruptly resurfacing images and references that pop up unannounced. For example, Treasurer Joe Hockey’s musings on the poor, who don’t drive very far – ‘O scathful harme, condition of povertie’ (Chaucer). And the rich, who are ‘lifters’. I was invaded mentally by Yeats’s ‘Surely among a rich man's flowering lawns.’ Without pain and with cigars and smirks of self-congratulation.
America's iniquitous health care system is often portrayed with dark humour in popular culture such as the 2007 Michael Moore film Sicko. Our own Federal Government has been putting constant pressure on our system of universal health care as it pursues a course of action that presents class warfare as fiscal responsibility. It raises questions about the vested interests behind dismantling health care protections for poor people.
Greg Chappell has already made the comparison with the response to Princess Diana's death, but it goes back further than that, to John Donne, for example, in 1624: 'No man is an island entire of itself; every man is a piece of the continent, a part of the main'. Death haunts the newspapers and the airwaves. Just? Not at all. Every now and then, we cower and weep before Death's undiscriminating might.
The need for artists to exist inside an economy regulated by middle class tastes and preferences restricts the possibilities for their work. But when our present is rocked by the incredible injustices we are watching unravel in Ferguson, artists are called upon to drop their aspirations for class mobility that is tethered to the material, and instead draw light on the immaterial, Emerson's 'secret'.
Some aspects of the English/Scottish independence referendum confrontation rang interesting bells for Australia. But British PM David Cameron has had to tread cautiously on foreign policy to avoid adding grist to the 'Yes' campaign's mill. Not so Tony Abbott, for whom strutting the world stage works a treat to lift the pall of governmental confusion and unpopularity.