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When a Christian man takes out his anger by literally kicking the legs out from under a crippled child, two women, a Christian and a Muslim, rush to help the child back to his feet. The women keep the peace in this deeply divided village, but the 'unity' is tenuous and to some extent a fantasy.
A self-absorbed teenager contributes to the road death of a pedestrian, then seeks to assuage her guilt without actually accepting responsibility. One teacher attemps to mentor the girl in her dilemma but is too accepting of her flirtatious advances to be considered a disinterested advisor.
'Monday is Day Oncology, where the dark burses arrive by courier, and we're glad to see them stripped for action, hooked in the air, lucent against fear.' Maybe only Steele could see these bags of chemo as Christological signs. As with the zoo once, so now the oncology ward offers hints of that other eden.
A group of women debate whether familiarity with a long-term spouse is not better than the passion of a new relationship. Everything new gets old, argues one woman. Take This Waltz is a kind of morality play about a woman torn between the familiarity of the old and the excitement of the new.
Sleepless parents, on the eve of their child's surgery for a brain tumour, confess their fears to each other: that he will die, or acquire a disability. But they turn this, too, into a game. Far from making light of the situation, they find, in humour, genuine solace from genuine fear.
A group of men wander the fields and knolls of a Turkish steppe in search of a corpse. Among them, a doctor's willingness to share a smoke with a confessed murderer contrasts starkly with the police chief's latent brutality. In this place empathy seems ever at odds with a world-weariness bordering on apathy.
It remains unclear whether the encounter was consensual, although the power imbalance in the relationship makes such an encounter ethically dubious even if it was not strictly rape. If it was rape, it is inconceivable that she later becomes her assailant's willing lover.
When I was 15 I decided not to kill myself. I am still sometimes prone to baseless bouts of depression, but that ragged dark hole has never engulfed me. The main characters in two recent films are notable for deciding to live, rather than lie down and be overrun by dark emotions and events.
Irishman Jack's cynicism has its roots in his hurt and betrayal over the clergy sex abuse scandal within his country. Snide American Sarah's abrasive personality masks numerous hurts. The most extraordinary aspect of religious pilgrimages is the ordinary humanity of the pilgrims themselves.
Sabre rattling, both by the Iranian leadership and by Western politicians and pundits, dominates the headlines and steers public discourse about Iran. A recent film, and a current art exhibition, remind us of the country's 'rich and ancient culture that has been hidden under the heavy dust of politics'.
When her infidelity is discovered, she is rejected by her husband and flees to her lover's side. Her desire for him is excruciating in its ferocity, especially once it becomes clear that the feeling is not mutual. Having rejected one partner and being now neglected by another, she lapses into a deep depression.
'God created Adam and Eve, not Adam and Steve,' quips the pastor from the pulpit. The congregation finds this hilarious, but not young gay Christian Ben, who feels secretly shamed. Later, when a string of Christian counselling programs fail to 'heal' his homosexuality, Ben takes to his wrists with a razor blade.