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'Kennedy was a cold warrior, but Johnson took it to the next level. He had the same my-balls-are-bigger-than-yours complex as Dubya.' The narrator journeys into the past in order to produce a kinder America. One that may not throw itself into Vietnam with such lust. Published 16 November 2011
Gallipolli was a disaster and a relatively minor conflict, but it is upon such 'minor' conflicts that Empires are built. These songs go to the heart of a contradictory dilemma: the love of country on the one hand and the ugly extremes of patriotism on the other. Published 23 February 2011
Three teenagers are lured into the midst of a demented cult waging a brutal crusade against society's sexual profligacy; the Westboro Baptists re-imagined as violent extremists. This is not the first time questioning Catholic filmmaker Kevin Smith has had a go at religion.
The Catholic Church has more than a billion members worldwide. To lead it is an immense responsibility. Irreverence notwithstanding, We Have A Pope stands as a gracious gesture, free of Church politics, to those who accept that responsibility. Surely, none would do so blithely.
Shay has escaped from her abusive stepfather into a life of prostitution. Holly has accumulated wealth as a high-class call girl. Their work is more dangerous than either had imagined. For them, if there is a God, he simply watches, rather than watching over.
The remote community of Toomelah was a state-run Aboriginal mission with a strong church presence. A raft of social problems have emerged in place of the traditional culture that was usurped by these influences. Cultural extinction is perhaps the biggest issue facing such communities.
Fatima Meesham speaks frankly about the ups and downs of migrating to Australia from the Philippines. She explains that she delayed becoming an Australian citizen until she was satisfied there was enough common ground between her values and those of the Australian Government.
'Kennedy was a cold warrior, but Johnson took it to the next level. He had the same my-balls-are-bigger-than-yours complex as Dubya.' The narrator journeys into the past in order to produce a kinder America. One that may not throw itself into Vietnam with such lust.
There's nothing to say a father who had hoped for a miracle, but instead watched his child wilt and die. His sleep is filled either with dreams where she's alive, or nightmares where he watches her die all over again. I'm not sure which would be worse: to fear going to sleep, or to regret waking up.
Nino and Bernie are nasty pieces of work. They preside over criminal activities with arrogance and amorality, and substantiate sinister personas with easy violence. In a post-politically correct world, it's okay for Jews to be bad guys, too.
At its heart is an act of violence against a child. But on the whole The Slap stands as an epic parable of middle class Australia. The tagline 'Whose side are you on?' is a furphy: it is impossible to wholly sympathise with any character.