Search Results: music

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  • ARTS AND CULTURE

    Forget conspiracies and own your complicity

    • Ellena Savage
    • 08 August 2016
    4 Comments

    The talking heads say the same things I once heard on Illuminati documentaries. In place of Pharrell Williams making suspicious hand gestures though, the blame for the unpleasant outcomes of a healthy free market is bestowed on the western world's maligned: refugees, Indigenous people, queer people, the working poor. These talking heads, who feel desperate and inferior because they have never contributed anything to anyone other than themselves, are eschewing their complicity in harm.

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  • AUSTRALIA

    Operation Proactive Citizen: Tales of a first-time voter

    • Neve Mahoney
    • 29 June 2016
    18 Comments

    Honestly, I could talk all day about how growing up with Rudd/Gillard/Rudd followed by Abbott/Turnbull turned a generation away from politics. I could talk even longer about how seeing (mostly) white, (mostly) male politicians is its own form of alienation. But if I'm going to be the possible swing vote, the homogenous 'youth vote', I'm going to make it count. I know that I can't afford to disconnect; if for nothing else, I need to vote for the people who can't.

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  • ARTS AND CULTURE

    Miles Davis drama diminishes domestic abuse

    • Tim Kroenert
    • 17 June 2016

    In one scene, as Taylor and Davis argue, the dialogue comes down and the score comes up; her voice is literally taken from her. When Davis then physically assaults her, the message is clear: his music and his violence are notches on the same spectrum. This conflation of creativity with destructiveness is a typical error of mainstream biopics about great artists who were not nice people. Yet applied in the context of spousal abuse it is not only specious but ethically dubious, even dangerous.

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  • INTERNATIONAL

    Pugilist-poet Ali's race legacy still packs a punch

    • Fatima Measham
    • 08 June 2016
    7 Comments

    The contest over Ali began even as news spread of his passing. His legend straddles the violence of his sport and the violence in which he refused to participate. Boxing is brutal but it has rules and finite duration. In war, there are no rules and no one wins. Ali recognised a larger violence, chose his enemies, and reimagined bravery. Attempts to sublimate this legacy - such as comments about him 'transcending' race - resemble the appropriation of Martin Luther King Jr by conservatives.

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  • ARTS AND CULTURE

    No sex please, we're praying

    • Rodney Wetherell
    • 07 June 2016
    2 Comments

    In prayer, our minds are sex-free, let us hope; our thoughts of God do not include the body, his or ours, svelte or chunky, erotic perfume should be undetectable, ditto the sense of orgiastic writhing sent down to us from digital porn heaven. Should your inner eye pick out an angel, beautiful, and fixing eyes on you, or Jesus wearing little but a wisp of cloth across a gym-toned body streaked with blood, contact your counsellor, ring that number - you've wandered to the opposition site.

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  • ARTS AND CULTURE

    Lonely lament of a stay-at-home mum

    • Suvi Mahonen
    • 01 June 2016
    5 Comments

    'Hi,' the text began. 'Just letting you know there's no pilates tonight. We're all going to The Hub to C an indie music jam. C U next week?' I put my phone down and stared numbly around my kitchen. Dirty dishes jammed the sink. My toddler's banana was smeared all over the fridge door, but I couldn't gather the energy to wipe it clean. I knew I was lucky to have everything I'd worked for - family, a new apartment, financial stability - but I also knew I had never felt so lonely. 'C U next week.'

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  • ARTS AND CULTURE

    No life without if

    • Yuan Changming
    • 03 May 2016
    6 Comments

    No belief without a lie. No business without sin. No character without an act. No coffee without a fee. No courage without rage. No culture without a cult. No entrance without a trance. No epicenter without an epic. No Europe without a rope. No freedom without a reed. No friendship without an end. No fundamentalism without mental fun.

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  • ARTS AND CULTURE

    Sad story of a tragic opera wannabe

    • Tim Kroenert
    • 21 April 2016
    3 Comments

    Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.

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  • ARTS AND CULTURE

    Singing and subverting White American history

    • Tim Kroenert
    • 14 April 2016
    1 Comment

    The show's implicit subversiveness runs deep. It is embodied in the fact that its cast consists of mostly Black and Latino performers portraying White characters, using a vernacular and musical styles popularly associated with these cultural groups. It thus stands as a riposte to the history of black/brownface and whitewashing in popular entertainment. Crucially, in a show about 'founding fathers', it is the story's women who not only provide its emotional core but are also the most fundamentally heroic.

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  • EDUCATION

    My heroic, dyslexic son

    • Tony Thompson
    • 08 April 2016
    21 Comments

    The school has been supportive, but in this data driven age even the finest teachers are compelled to teach to the vile Naplan tests. Dyslexic kids are put through unbelievable stress with these tests. If deaf kids were compelled to do listening examinations, there would be an outcry. I'm not sure if there's a difference. I'm also not sure if the ever narrowing scope of education can still accommodate students like my son, despite all the talk about diversity and differentiated learning.

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  • AUSTRALIA

    Bob Ellis the gifted troublemaker

    • Binoy Kampmark
    • 05 April 2016
    7 Comments

    Ellis' work is a prime example of the notion advanced by the French existentialist philosopher Jean-Paul Sartre: that committed literature, and the act of writing, are political and ethical acts. Even in a film script, one can ponder social political change. Always of the left, but never formally the structured party man of faction and following, the dishevelled, sometimes wild Ellis proved contrarian even to Labor stalwarts. There were never pious reflections, or unqualified praises.

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  • ARTS AND CULTURE

    Great white filmmakers can't dismiss diversity

    • Tim Kroenert
    • 10 March 2016
    6 Comments

    When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.

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