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In the five years I worked in refugee law, some of the most complicated challenges I encountered were questions regarding the 'truthfulness' or 'credibility' of an asylum seeker's claims. These subjective findings of credibility can make the difference between a person being granted asylum or being turned away.
When the law and the media do their job competently, we can work together to ensure that children are safe and that initiatives such as the national redress scheme deliver truth, justice and healing for all. Once they join a populist movement without regard to the important role they play in ensuring that truth and justice are done, all society is in trouble.
This remarkable policy of what Dr Eve Lester calls 'planned destitution' combines the most extreme instincts of neoliberal, nationalist and authoritarian thinking. Fundamentally, it derives from the Minister for Home Affairs' far reaching powers to determine the rights and entitlements of non-citizens such as people seeking asylum.
Hannah Gadsby's Nanette critiques comedy as an imperfect tool for processing and transcending trauma. Funny Cow, about a woman comedian in 1970s northern England, attempts something similar. Both say something about the intersection of comedy and trauma and what it reveals about how we relate to each other as human beings.
Even if all of the families that have been coldly, clinically, 'legally' torn apart can be reunited, much of the damage done is likely irreparable. Social workers and scientists have spoken out on the permanent damage inflicted on children separated from their parents. But who will speak on the scar left on the national conscience?
Using memoir as a kind of litmus, Atkinson challenges the myth that traumatic events are socially 'out of character' and asks us to look at how by its very nature, patriarchy demands the abuse of its most vulnerable citizens.
The pressure starts to get to Annie when she begins to suspect her mother is haunting her. This exacerbates pre-existing tensions; her husband is caring in a mildly condescending way, but is more concerned with the wellbeing of their children. Is the haunting real, then, or just a symptom of Annie's reluctance to let go?
These are people living precariously: pregnant women, families with young children, elderly people. They are being 'transitioned out' of Status Resolution Support Services based on 'job-readiness'. The move not only illustrates the arbitrary nature of immigration policy, which sets people up to fail; it is institutionalised sadism.
Tully is a funny film, with a serious core: a tribute to the labour of child rearing, a dissection of the substantial physical and emotional burden of this work, and a 'show-don't-tell' critique of the social norms that frequently sees that burden fall, still, primarily on women.
Every year around the International Day for the Elimination of Violence Against Women, politicians with white ribbons pinned to their suits deliver passionate speeches about protecting women from domestic violence. But when it comes to implementing life saving measures, their lack of action speaks louder than words.
The flagship cultural measure in the budget is, strangely, a flagship: the Endeavour. The government announced '$48.7 million over four years to commemorate the 250th anniversary of James Cook's first voyage to Australia and the Pacific'. A permanent presence on the first site of local trauma is not a vision for a nation.
Early traumas last, the experts say ... but memory can resemble an old wound that presages damp days or, like a sharp new line, make one gasp again. What violence do they endure who with nightmare slowness flee a wolfish past? And are theirs unexamined lives who have attained the modern armour-plated dream?