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Following the Hamas attack on October 7, the world is forced to grapple with the profound complexities of the Israel-Palestinian conflict, a mire of historical grievances, selective narratives, and devastating violence. With both sides weaponising the weight of their tragedies for the international stage, the tragedy's core remains: innocent lives lost in a perpetuating cycle of violence.
Near-death experiences can serve as stark reminders of the fragility of life, prompting us to cherish the moments that transcend routine and monotony. Whether it's the wit of a child, the intimacy with a partner, or the tranquility of nature, these moments awaken us to the gift of life.
We are told by the government and associated authorities that these are times of ‘personal responsibility’. This is undoubtedly a major transition from the heavy regulated existence not that long ago when the collective good outweighed individualism. Juxtaposed with this ‘forging forth’ expectation is the significant, if not alarming, increase in infection rates.
Narungga Elder Tauto Sansbury died 23 September after a lifetime of campaigning to make the criminal justice system just for Aboriginal people, among other matters. He and other Aboriginal and Torres Strait Islander trailblazers set a benchmark to which we can all aspire in the pursuit of positive change.
As Adam Goodes paid heavily for his defence against racism, defending country continues to be a costly business for the people of the Flinders and Kimba regions, whose communities are irrevocably torn apart by the National Radioactive Waste Management Facility project.
Because this story is in the political arena, it seems vicious comments from celebrities, politicians, and countless others are made with impunity. And we wonder why young people can be so cruel online and why it is so hard to educate them that words matter; that words hurt. Then, as they say, the story got complicated.
When I watch the video 'How women become gay', it hurts. Not because of the anti-gay content, but because it uses language about God's love, the type of religious language I grew up with, to sneak past my defenses. For a moment, despite years of learning to accept myself, I waver.
Commemorating the 25th anniversary of the Royal Commission into Aboriginal Deaths in Custody, NITV re-screened Richard Frankland's 1993 documentary Who Killed Malcolm Smith? Watching it, it became totally clear to me about Manus Island and Nauru. Perhaps as a nation this violence, this contempt of the 'other', is in our DNA.
American-British writer Amanda Foreman is campaigning to return authors such as Austen, Dickens and Eliot to curricula in famous schools. But teachers have told her that a generation reared on smartphones and iPads finds such authors too ‘difficult'. So what? is my inward cry.
Our first glimpse of Jesse, a 16-year-old model recently arrived in LA, is of her sprawled on a sofa, scantily clad and smeared with fake blood. Later, during her first professional shoot, she is ordered to strip naked, and to endure being smeared with gold paint by the photographer's own hand. Another model boasts about the routine cosmetic surgery she undergoes to maintain the object that is her body. In the eyes of the industry, Jesse as an 'object' is already perfect.
This year we faced the prospect of having Wolfgang, our 16-year-old apricot Spoodle, euthanised. This was sad for me, my wife, and our son. But for our daughter, entering her first year of high school, it presented a looming disaster. Mark Twain is purported to have said that 'the fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.' Timidity equals preoccupation with mortality? No disrespect to Samuel, but it's unlikely he shared that gem with his daughters.
Sixteen and 17-year-olds shape society and culture through language, music, sport, arts and fashion. They challenge boundaries and push cultural trends up through our social fabric. They engage with technology and future ideas in a way that many older generations would fine overwhelming and confusing. We need this enthusiasm, this creativity and proven inclination to take risks in order to question our society's established methods and bring colour and life back to the broader political debate.