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Following the death of Pope Emeritus Benedict XVI, some believe Pope Francis is now free to advance a progressive agenda, while there’s good reason to doubt Francis will be willing or able to forward any meaningful change beyond that already achieved.
In reflecting upon the Statement from the Heart, we need to explore what it is, what it is not, and how it works. The creative dynamic of the Statement is that it is a tool of justice and heart-healing. It is restorative justice writ large, involving the elements that make up the process leading to a resolution of the past and a creative response to the future by enacting justice in the present.
Another biblical motif or metaphor may prove more fruitful in the long run: the apocalypse. No, not the end of the world, however appropriate this may feel. It’s the apocalypse but not as we know it.
A student of Ethics and Philosophy, aspiring librettist, Gaetano Leigh read dusty books on the 16th century Jesuit priest Matteo Ricci in the basement of the Central Library ... Daily Gaetano imagined sailing the South China Sea re-reading catholic theology written to entice the scholarly Confucians ...
Much artistic response to the environmental crisis is negative , either criticising the excesses of the present, or predicting destruction in the future. Where are the positive stories of a new, sustainable culture? This is the greatest contribution art can make, yet for every vision of a better world there are a hundred bleak dystopias.
When she fell, at last, out of this life, I caught him as intended, solid as belief ... eyes raised, palms turned to Mecca, his fixed magnetic pole. A Vienna bronze, perhaps 1920s, most likely a Jewish workshop - a fusion of metals and cultures, before Holocaust, West Bank or Gaza; a figure in robes, on a small carpet, its yellows and reds realistically creased, his sandals ... Aesthetics ranked high in her life - a second, earthly religion - all the style she could afford in the world her parents had fled to.
I will always remember the first time I saw Giacommeti's statues in in Europe. They were grotesquely thin, elongated people. Giacometti explained how he tried to make people with more flesh, but after World War II and the six million, it was impossible. And so those statues reflect the time he lived in. Queensland's Gallery of Modern Art, on the other hand, is celebrating its tenth anniversary, and has chosen fairy floss and rainbow fuzz to reflect our current society.
In journalism, 'he said, she said' often functions as an evasion. Reporters' loyalty should be to accuracy, which isn't about compromise between extremes. When denialists and climate scientists take diametrically opposed stances, the truth doesn't lie somewhere in the middle. Sometimes, one side's right and the other's just wrong. The same can be said of reporting about the rightwing United Patriots Front. While they deny being fascists, that's what they are, and that's what we should call them.
The need for artists to exist inside an economy regulated by middle class tastes and preferences restricts the possibilities for their work. But when our present is rocked by the incredible injustices we are watching unravel in Ferguson, artists are called upon to drop their aspirations for class mobility that is tethered to the material, and instead draw light on the immaterial, Emerson's 'secret'.
Channel 7's Weekend Sunrise mocked the Catholic Church during its papal conclave preview. The Vatican's culture of secrecy encourages journalists to act like children. Last week the US cardinals took a more open approach and got positive media. But they were slapped down and the coverage became trivial once again.
Sao Paulo Fashion Week has come under criticism for its absence of non-European models. But the absence of non-white faces is a near universal standard in high fashion. If fashion wishes to be considered a legitimate art form, it must interpret and transform the world it reflects upon.
At a gallery opening in Bali, the Australia-Indonesia relationship was compared to a rope with many strands, with art and culture the most resilient. In the audience were Australian lawyers who have supported members of the Bali Nine, and lawyers acting for Indonesian minors still held in long term detention in Australia without charge.